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Premium Framed Print : Spring Flowers, c. 1897 (oil on panel)

Spring Flowers, c. 1897 (oil on panel)



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Spring Flowers, c. 1897 (oil on panel)

3736717 Spring Flowers, c.1897 (oil on panel) by Artigue, Albert-Emile (1850-1927); 99.5x130 cm; Private Collection; (add.info.: Fleurs de Printemps
In Albert-Emile Artigues Fleurs de Printemps, blossoms abound in a lush river
landscape dotted with blooming trees in springtime. Having stripped the nearest tree of its
petals, the frolicking of six young women have begun to wind down, as exemplified by
the prone beauty of the foreground. The perfection of the day is matched only by the
loveliness of the portrayed ladies. Their floral-patterned tea dresses serve to underscore
the point of the titles double entendre.
When unveiled at the Salon in 1897, Fleurs de Printemps proved an instant success with
the press and public alike. The importance of exhibiting at the Salons in Paris at this time
cannot be overstated. The Salons set the standards for the art market not only in France
but throughout the entire Western world, and from 1848-1898 it was at the peak of its
power. Thousands of paintings were hung at each Salon, creating the largest exhibition of
contemporary art in the world. Thousands poured into Paris to attend the Salon, with
years that had 500, 000 visitors not unusual. The public regarded painters whose work had
been accepted by the Salon as worthy of purchase, with the exact opposite being true for
those whose paintings had been rejected.); eLawrence Steigrad Fine Arts, New York; French, out of copyright

Media ID 22292350

© Lawrence Steigrad Fine Arts, New York / Bridgeman Images

Bloom Blossom Blossoming Blossoms Friends Frolicking Grass Happiness Idyll Idyllic Joie De Vivre Laughing Lawn Lawns Meadow Playful Spring Springtime Whimsical Whimsy Girlfriends


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.6cm (9.6" x 7.7")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Albert-Emile Artigue

> Animals > Mammals > Muridae > Western Mouse

> Arts > Art Movements > Landscapes

> Arts > Artists > Y > Art Young

> Arts > Contemporary art > Contemporary painting > Landscape painting

> Arts > Contemporary art > Contemporary painting

> Arts > Contemporary art > Landscapes

> Arts > Contemporary art

> Arts > Fine Art

> Arts > Landscape paintings > Contemporary landscape paintings > Contemporary art

> Arts > Landscape paintings > Contemporary landscape paintings


Spring Flowers, c. 1897 - A Captivating Celebration of Nature and Femininity

EDITORS COMMENTS
. In Albert-Emile Artigue's masterpiece "Fleurs de Printemps" the enchanting beauty of spring is immortalized on canvas. This oil painting transports us to a lush river landscape adorned with blooming trees, where vibrant blossoms flourish in abundance. The artist skillfully captures the essence of this idyllic season, evoking a sense of serenity and joy. At the center of the composition, six young women frolic amidst nature's splendor. Their floral-patterned tea dresses harmonize with the surrounding blooms, emphasizing their connection to both femininity and nature. As they rest beneath a tree stripped bare by their playful endeavors, one woman lies gracefully in repose at the forefront—a symbol of tranquility amid youthful exuberance. Unveiled at the prestigious Salon in 1897, "Fleurs de Printemps" garnered immediate acclaim from critics and art enthusiasts alike. The Salon held immense influence over the art market during this period, setting standards that reverberated throughout France and beyond. To be accepted into its hallowed halls was an honor coveted by artists worldwide. This print invites us to immerse ourselves in a moment frozen in time—an ode to springtime's ephemeral beauty and feminine grace. It serves as a testament to Artigue's talent for capturing fleeting moments that resonate deeply within our souls.

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