Fraud Blocker Skip to main content

Premium Framed Print > Fine Art Finder > Artists > Jean Michel the Younger (after) Moreau

Premium Framed Print : The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777

The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777



-
+
£116.66

Resolution may be poor at this size (62 DPI)

We accept all major credit cards


Framed Photos
Photo Prints
Jigsaw Puzzles
Poster Prints
Canvas Prints
Fine Art Prints
Mounted Prints
Metal Prints
Cards
Home Decor


Fine Art Finder

Framed Photos from Fine Art Finder

The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777

XIR346144 The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: La Dame du Palais de la Reine; Moreau le Jeune; Photo Adolphe Giraudon late 19th century; reign of Louis XVI; Versailles; Liaisons Dangereuses ; ); French, out of copyright

Media ID 12862977

© www.bridgemanimages.com

Courtier Courtiers Feathered Garland Garlands Plumed Stylish Conversation


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.6cm x 24.4cm (7.7" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases "The lady at the Palais de la Reine" an exquisite engraving by Pietro Antonio Martini from 1777. The image, created by Jean Michel Moreau the Younger, transports us back to the reign of Louis XVI in Versailles. In this scene, we see a group of elegantly dressed courtiers standing together in a lavish interior. The lady at the center commands attention with her fashionable attire and stylish demeanor. Her dress is adorned with intricate garlands of flowers, reflecting her aristocratic status and impeccable taste. A fan delicately held in her hand adds a touch of grace to her posture as she engages in conversation with others around her. Her feathered headdress further accentuates her beauty and adds an air of sophistication to her overall ensemble. This enchanting portrayal captures not only the fashion trends prevalent during that era but also provides insight into the opulent lifestyle enjoyed by those within French society's upper echelons. Displayed at Musee Carnavalet in Paris, France, this timeless artwork continues to captivate viewers even today. Its intricate details and meticulous craftsmanship are testaments to Martini's skill as an engraver and Moreau le Jeune's talent for capturing elegance on paper. As we gaze upon this remarkable piece, we are transported back in time to witness firsthand the allure and grandeur that defined life within the royal court during one of history's most fascinating periods.

MADE IN THE UK
Safe Shipping with 30 Day Money Back Guarantee

FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools

FREE COLORIZATION SERVICE
You can choose advanced AI Colorization for this picture at no extra charge!

SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you

* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Basket.



globe_uk
Made in UK
thumb_up
Professional quality finish
diamond
Made with high-grade materials
inventory_2
Carefully packed to aid safe arrival



Related Images


HOGARTH: FOUR TIMES OF DAY. Night. Steel engraving after the original, 1738, by William Hogarth
HOGARTH: FOUR TIMES OF DAY. Night. Steel engraving after the original, 1738, by William Hogarth
Beer Street
Beer Street
London Cries: A Milkmaid, c. 1759 (pen & ink brush, w / c and graphite on paper)
London Cries: A Milkmaid, c. 1759 (pen & ink brush, w / c and graphite on paper)
Madame Moliere, nee Armande Bejart (1642-1700) in the role of Elmire in Le Tartuffe
Madame Moliere, nee Armande Bejart (1642-1700) in the role of Elmire in Le Tartuffe
The Precautions, engraved by Pietro Antonio Martini (1739-97) 1777 (engraving) (b / w
The Precautions, engraved by Pietro Antonio Martini (1739-97) 1777 (engraving) (b / w
The Battle of the Pictures, 1745 (engraving)
The Battle of the Pictures, 1745 (engraving)
England, Plate II of The Invasion, 1756 (engraving)
England, Plate II of The Invasion, 1756 (engraving)
HOGARTH: AUDIENCE. The Laughing Audience
HOGARTH: AUDIENCE. The Laughing Audience
Noon, Times of the Day, by William Hogarth
Noon, Times of the Day, by William Hogarth
Mayor of London, by William Hogarth
Mayor of London, by William Hogarth
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
After, December 15, 1736. Creator: William Hogarth
After, December 15, 1736. Creator: William Hogarth

+

Shipping

+

Choices

+

Previews

+

Reviews

+

Guaranteed