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Premium Framed Print : Pope Pius VII in the Sistine Chapel, 1814 (oil on canvas)

Pope Pius VII in the Sistine Chapel, 1814 (oil on canvas)



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Pope Pius VII in the Sistine Chapel, 1814 (oil on canvas)

3247766 Pope Pius VII in the Sistine Chapel, 1814 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 74.5x92.7 cm; National Gallery of Art, Washington DC, USA; (add.info.: Barnaba Niccol Maria Luigi Chiaramonti (1742-1823)
Painting begun when the pope, having excommunicated Napoleon, was being held prisoner by him.); French, out of copyright

Media ID 18259321

© National Gallery of Art, Washington DC, USA / Bridgeman Images

Audience Chapel Last Judgment Michelangelo Napoleonic Papal Pontiff Roman Catholic Vatican Vatican City Visitors Apostolic


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.6cm (9.6" x 7.7")

Estimated Product Size is 43.1cm x 38.1cm (17" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Jean Auguste Dominique Ingres

> Arts > Artists > I > Jean Auguste Dominique Ingres

> Arts > Artists > I > Jean Auguste Ingres

> Arts > Artists > Michelangelo Buonarroti > The Last Judgment

> Arts > Artists > Michelangelo Buonarroti > Sistine Chapel

> Arts > Artists > Michelangelo Buonarroti > Vatican City

> Arts > Artists > Michelangelo > The Last Judgment

> Arts > Artists > Michelangelo > Sistine Chapel

> Arts > Artists > Michelangelo > Vatican City

> Arts > Artists > Michelangelo

> Arts > Artists > R > Roman Roman


EDITORS COMMENTS
This oil on canvas print, titled "Pope Pius VII in the Sistine Chapel" transports us back to the year 1814. Painted by Jean Auguste Dominique Ingres, this masterpiece measures 74.5x92.7 cm and is currently housed at the National Gallery of Art in Washington DC. The subject of this painting is Barnaba Niccol Maria Luigi Chiaramonti, better known as Pope Pius VII (1742-1823). The artwork depicts him within the iconic Sistine Chapel, a place renowned for its rich history and breathtaking beauty. Interestingly, Ingres began working on this piece during a tumultuous period when Pope Pius VII found himself imprisoned by Napoleon Bonaparte after excommunicating him. The image portrays the pope adorned in his regal robes amidst an audience of visitors. The grandeur of the chapel's architecture serves as a backdrop to emphasize his spiritual authority and significance within Roman Catholicism. As our gaze wanders through this scene, we cannot help but be reminded of Michelangelo's magnificent frescoes adorning the ceiling above. This painting captures not only a historical moment but also reflects upon themes such as religion, faith, and power dynamics between church and state. It invites contemplation about the role of clergy in society and their ability to influence political affairs. Ingres' meticulous attention to detail brings life to every brushstroke while preserving an air of reverence that befits both its subject matter and setting. This print from

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