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Triumvirate Assuming Power in the Name of the Prince of Orange, 21 November 1813, c
1765818 Triumvirate Assuming Power in the Name of the Prince of Orange, 21 November 1813, c.1828 (oil on canvas) by Pieneman, Jan Willem (1779-1853); 70u86.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: After the French were driven out of the Netherlands in November 1813, a provisional government was declared in The Hague at the home of Gijsbert Karel van Hogendorp, seated in fur robe, who formed the triumvirate with Van der Duyn of Msdam (behind him) and Count of Limburg Stirum pointing to the officers - Colonel Van Oldebarnevelt (called White Tullingh) with hand raised and Captain Heyns Van Bergen. Elias Canneman is at the table. Portraits of William of Orange and his half brother Maurice hang on the wall behind.
A Sovereign Principality of the United Netherlands was declared and William Frederick (1772-1843) was invited back from England to The Hague as sovereign prince, later becoming William I of the Netherlands.
); Dutch, out of copyright
Media ID 18257115
© Rijksmuseum, Amsterdam, The Netherlands / Bridgeman Images
Declaration House Of Orange Napoleonic Wars Officers Orange Nassau Power Prince Of Orange Provisional Government Royal Family Statesmen Temporary The Hague William I Provisional
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 19.8cm (9.6" x 7.8")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The painting "Triumvirate Assuming Power in the Name of the Prince of Orange, 21 November 1813" by Jan Willem Pieneman captures a pivotal moment in Dutch history. After years of French occupation, the Netherlands finally regained its independence on November 21st, 1813. The scene depicts the establishment of a provisional government at Gijsbert Karel van Hogendorp's home in The Hague. In the center of the composition sits Van Hogendorp, draped in a luxurious fur robe, symbolizing his authority and leadership. Behind him stands Van der Duyn of Msdam, while Count of Limburg Stirum points towards two officers - Colonel Van Oldebarnevelt and Captain Heyns Van Bergen. These men played crucial roles in driving out the French forces. Notably present at this historic event are portraits hanging on the wall behind them: William of Orange and his half-brother Maurice. Their presence serves as a reminder that this triumvirate is assuming power on behalf of William Frederick, who had been invited back from England to become sovereign prince. This significant moment marked not only the end of French rule but also laid the foundation for an independent Netherlands under William I's reign. Pieneman's detailed brushwork and attention to historical accuracy make this painting an invaluable record that allows us to witness firsthand this important turning point in Dutch history.
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