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Premium Framed Print : Lady in Gray, c. 1883 (w / c and gouache on dark brown wove paper)

Lady in Gray, c. 1883 (w  /  c and gouache on dark brown wove paper)



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Lady in Gray, c. 1883 (w / c and gouache on dark brown wove paper)

3614106 Lady in Gray, c.1883 (w/c and gouache on dark brown wove paper) by Whistler, James Abbott McNeill (1834-1903); 28.6x12.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Sitter unknown, but her facial features and attitude suggest either Millie Finch, one of Whistlers frequent models, or the actress Kate Munro, whom Whistler painted several times. ); American, out of copyright

Media ID 23120372

© Bridgeman Images

Aesthetic Assurance Assured Bold Confidence Confident Dark Direct Gaze Forward Impression Impressionistic Shadows Staring


23"x19" (58x48cm) Premium Frame

FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 17.2cm x 39.6cm (6.8" x 15.6")

Estimated Product Size is 48.2cm x 58.4cm (19" x 23")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Jacques Blanchard

> Fine Art Finder > Artists > James Abbott McNeill Whistler

> Animals > Birds > Passerines > Finches > Related Images

> Animals > Birds > Passerines > Waxbills > Painted Finch

> Animals > Birds > Passerines > Whistlers > Related Images

> Arts > Artists > G > Kate Gray

> Arts > Artists > James Whistler

> Arts > Artists > W > James Abbott McNeill Whistler

> Arts > Artists > W > James McNeill Whistler

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings


EDITORS COMMENTS
This print showcases James Abbott McNeill Whistler's masterpiece, "Lady in Gray" from 1883. The artwork, created using watercolor and gouache on dark brown wove paper, measures 28.6x12.7 cm and is housed in the prestigious Metropolitan Museum of Art in New York City. The identity of the sitter remains a mystery, but her enigmatic facial features and poised demeanor suggest she could be either Millie Finch, one of Whistler's frequent models, or the renowned actress Kate Munro who was painted by Whistler multiple times. Regardless of her true identity, this lady exudes confidence and elegance. Whistler's impressionistic style is evident in this piece as he skillfully captures the figure staring forward with an assured gaze. The use of shadows adds depth to the composition while emphasizing the young woman's striking features. The artist's boldness shines through as he portrays this unknown subject with utmost aesthetic appeal. Her hat adds a touch of sophistication to her ensemble while complementing the overall dark tones present throughout the painting. This portrait exemplifies Whistler's mastery over watercolor techniques and his ability to convey both beauty and mystery within a single image. It serves as a testament to his profound impact on American art during his lifetime.

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