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Premium Framed Print : Lady Gwen Cornish Tin Mine, 1934
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Lady Gwen Cornish Tin Mine, 1934
TAY45182 Lady Gwen Cornish Tin Mine, 1934 by Harvey, Harold (1874-1941); Private Collection; © Taylor Gallery, London, UK
Media ID 25057312
© Taylor Gallery, London, UK / Bridgeman Images
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.7cm (15.6" x 10.5")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photograph, titled "Lady Gwen Cornish Tin Mine, 1934" we are transported back in time to the rugged landscapes of Cornwall, England. The image captures the essence of an era when industry and nature coexisted harmoniously. Harold Harvey, a renowned artist of his time, skillfully portrays the imposing machinery that dominates the scene. These mechanical giants stand tall against a backdrop of rolling hills and dramatic clouds, creating a stark contrast between man-made structures and the raw beauty of nature. The Lady Gwen Cornish Tin Mine itself is depicted with great detail and precision. Every intricate part is meticulously captured by Harvey's keen eye for realism. The viewer can almost hear the hum of engines and feel the vibrations underfoot as they imagine themselves standing amidst this industrial marvel. Yet despite its industrial subject matter, there is an undeniable sense of tranquility emanating from this print. Perhaps it lies in the way Harvey balances light and shadow or how he expertly captures every nuance in texture - from rough stone walls to delicate foliage. This particular print comes from a private collection but has found its place within Taylor Gallery's prestigious catalog. It serves as a reminder not only of our rich history but also highlights art's ability to transport us through time and space – allowing us to appreciate both human ingenuity and natural wonders simultaneously.
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