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Premium Framed Print : Alla Domenicale, 1890 (oil on canvas)
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Alla Domenicale, 1890 (oil on canvas)
651511 Alla Domenicale, 1890 (oil on canvas) by Morbelli, Angelo (1853-1919); 66x111 cm; Private Collection; (add.info.: Alla Domenicale. Angelo Morbelli (1853-1919). Oil on canvas. Signed and dated 1890. 73.66 x 111.76cm); Photo eChristies Images; Italian, out of copyright
Media ID 23294156
© Christie's Images / Bridgeman Images
062012upload 1890 Active Back Back View Backview Behind Black Color Black Colour Boundary Calm Companion Companionship Continental Pictures Elder Elderly Adult Female Garment Four People Friend Friendly Friends Friendship From The Back Gentle Headscarf Hedge Italian Art Italian Artist Natural Light Old Age On The Move On The Road Outer Garment Peace Peaceful Physical Activity Plant Part Playmate Quiet Rear View Relationship Sabbath Senior Senior Adult Skirt Small Group Small Group Of People Sunday Sunny Thoroughfare Touring Tranquil Tranquility Transit Trousers Using Hands View From Behind Walker White Color 19th Century Painting Angelo Morbelli Apparel Headwear Morbelli Positive Concepts Stroll Strolling
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 39.6cm x 26.3cm (15.6" x 10.4")
Estimated Product Size is 58.4cm x 48.2cm (23" x 19")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Alla Domenicale, 1890
EDITORS COMMENTS
is a captivating oil painting by Italian artist Angelo Morbelli. This stunning artwork, measuring 66x111 cm, depicts a peaceful countryside scene from the late nineteenth century. In this idyllic setting, we see a small group of people walking along a country road on a sunny Sunday morning. The focal point of the painting is an elderly woman wearing a headscarf and a black jacket, accompanied by three companions. The back view of these figures creates an air of mystery and intrigue as they journey through the picturesque landscape. The natural light illuminates their garments, highlighting the white color and adding depth to the composition. Morbelli's attention to detail is evident in his meticulous brushwork and use of vibrant colors. The foliage surrounding them adds texture and enhances the sense of tranquility in this rural setting. The tree branches gracefully frame the scene while casting gentle shadows on the ground. This artwork captures not only a specific moment in time but also evokes emotions of serenity and companionship. It invites viewers to immerse themselves in this peaceful world where time seems to stand still. "Alla Domenicale, 1890" is an exquisite example of Morbelli's mastery as an artist and serves as a testament to his contribution to Italian art during the nineteenth century.
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