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Premium Framed Print : Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w / c and bodycolour on paper)

Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w  /  c and bodycolour on paper)



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Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w / c and bodycolour on paper)

XYC151477 Margaret Nicholson Attempting to Assassinate His Majesty, George III (1738-1820), at the Garden Entrance of St. Jamess Palace, 2nd August 1786 (pencil, pen and black ink, w/c and bodycolour on paper) by Dighton, Robert (1752-1814); 32.8x25.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: tentative d assassinat; roi Georges d Angleterre; folie; fou; folle; voiture a cheval; caleche; hallebardier; chapeau; poignard; femme; )

Media ID 25461468

© Bridgeman Images

Assassination Attempt Beefeater Dagger Horse And Carriage Insane James King Of England Madness Post Chaise Protecting Pullman Car Rulers


17"x15" (43x38cm) Premium Frame

FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.1cm x 24.4cm (7.5" x 9.6")

Estimated Product Size is 38.1cm x 43.1cm (15" x 17")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Robert Dighton

> Fine Art Finder > Britain: Royalty & Rulers

> Animals > Insects > Spiders > European Garden

> Arts > Artists > D > Robert Dighton

> Arts > Artists > R > James Roberts

> Asia > Georgia > Related Images

> Europe > Germany > Palaces

> Europe > Germany > Posters

> Europe > Germany > Related Images

> Europe > United Kingdom > England > Palaces

> North America > United States of America > Georgia > Related Images

> People > Royalty > Related Images


EDITORS COMMENTS
The captivating print titled "Margaret Nicholson Attempting to Assassinate His Majesty, George III" depicts a dramatic moment in history that unfolded on August 2nd, 1786. Created by the talented artist Robert Dighton, this artwork showcases the chaotic scene at the Garden Entrance of St. James's Palace. In vivid detail, we see Margaret Nicholson, a troubled woman driven by madness and delusion, making a daring attempt on the life of King George III. With pencil and pen strokes combined with black ink and watercolor techniques on paper, Dighton masterfully captures the intensity of this historical event. As our eyes wander through the composition, we notice elements such as a horse-drawn carriage and a hallebardier standing guard nearby. Margaret herself is depicted wearing a hat and holding a dagger poised for action. The atmosphere is charged with tension as she lunges towards her target. This image serves as an intriguing glimpse into an era marked by political unrest and mental instability within society's ranks. It reminds us of how even those in positions of power were not immune to threats from individuals plagued by their own demons. Preserved within Yale Center for British Art's Paul Mellon Collection in the USA, this artwork offers viewers an opportunity to reflect upon both historical events and human nature itself – showcasing how one person's actions can reverberate throughout time.

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