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Premium Framed Print : The Marriage of St Catherine of Siena, detail of St. Augustine and Dominican Beatus, c.1481-1500 (tempera & oil on wood)
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The Marriage of St Catherine of Siena, detail of St. Augustine and Dominican Beatus, c.1481-1500 (tempera & oil on wood)
BAL99056 The Marriage of St Catherine of Siena, detail of St. Augustine and Dominican Beatus, c.1481-1500 (tempera & oil on wood) by Lorenzo d'Alessandro da Severino II, (c.1445-1503); National Gallery, London, UK; (add.info.: by d'Alessandro da Severino II Lorenzo.
Detail of the main panel of an altarpiece painted for a Dominican church in Fabriano, in the Marche region of Italy.)
Media ID 33068770
© Bridgeman Images
Art Fine Art Augustine Augustine Of Hippo Chant Clergymen Detail Artwork Friar Friars Gilding Gilt Gold Background Lute Pray Prayers S Augustine S Augustine Of Hippo Saint Augustine Saint Augustine Of Hippo Saint Augustinus Seranade Seranading Sing Singing St Augustine To Sing 15th 15 Xv Xvth Fifteenth Century Monks Music Instrument Reinassance Renaissance Time
23"x19" (58x48cm) Premium Frame
FSC real wood frame with double mounted 16x12 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 23x19 inches (584x482mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.8cm x 39.6cm (10.2" x 15.6")
Estimated Product Size is 48.2cm x 58.4cm (19" x 23")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing detail from "The Marriage of St Catherine of Siena" by Lorenzo d'Alessandro da Severino II. The artwork, created between 1481 and 1500, is a tempera and oil on wood masterpiece that can be found in the National Gallery in London, UK. In this particular section of the altarpiece, we are drawn to the figures of St. Augustine and Dominican Beatus. They stand against a stunning gold background, their vibrant colors contrasting beautifully with the rich hues surrounding them. St. Augustine holds a book while Dominican Beatus gracefully plays his lute, creating an enchanting melody that resonates through the painting. The attention to detail is remarkable as every brushstroke brings these characters to life. The artist's skillful rendering captures not only their physical features but also their emotions and personalities. Their expressions exude serenity and devotion as they engage in prayer or perhaps engage in conversation about matters spiritual. "The Marriage of St Catherine of Siena" was originally painted for a Dominican church in Fabriano, Italy during the late 15th century. It serves as an exquisite example of Italian Renaissance artistry with its intricate details and masterful composition. With this print from Bridgeman Images' Fine Art Finder collection, one can appreciate both the beauty and historical significance encapsulated within this small yet powerful segment of Lorenzo d'Alessandro da Severino II's larger work.
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