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Premium Framed Print : The Porta Pinciana, closed, 1833 (etching with brown wash)
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The Porta Pinciana, closed, 1833 (etching with brown wash)
STC384893 The Porta Pinciana, closed, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Porte Pinciane. Fermee.; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; The Porta Pinciana is a gateway in the Aurelian Wall, erected by Honorius c.403 and since enlarged; ); The Stapleton Collection; Italian, out of copyright
Media ID 23547990
© The Stapleton Collection / Bridgeman Images
Crenellations Defensive Exit Fortifications Fortified Gate Protection Rampart Walls
17"x15" (43x38cm) Premium Frame
FSC real wood frame with double mounted 10x8 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 17x15 inches (431x381mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18cm (9.6" x 7.1")
Estimated Product Size is 43.1cm x 38.1cm (17" x 15")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Porta Pinciana, closed, 1833
EDITORS COMMENTS
is a captivating etching with brown wash by Agostino Tofanelli. This print, part of a private collection, showcases the grandeur and historical significance of the Porta Pinciana gate in Rome. Engraved by Pietro Fontana, it is featured in the "Recueil des vues au bister dessinees et lavees par Callimachus" a compilation of drawings and washes that depict antiquities and curiosities of Rome. The image depicts the fortified entrance to the city with its imposing crenellations and protective ramparts. The closed gates evoke a sense of mystery and intrigue as they stand as guardians to an ancient world within. The architecture reflects Roman defensive structures, showcasing their mastery in fortification design. Constructed during Emperor Honorius' reign around 403 AD, this gateway has undergone several enlargements over time. It served as an essential point of entry into Rome through the Aurelian Wall. Its purpose was not only to protect against external threats but also to control access into the city. This engraving captures both the architectural beauty and historical significance of this iconic structure. It transports viewers back in time to an era when such fortified entrances were crucial for safeguarding cities from potential invaders. "The Porta Pinciana, closed, 1833" offers us a glimpse into ancient Roman history while reminding us of humanity's enduring fascination with protection and defense throughout different epochs
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