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Poster Print : A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
Poster Prints from Royal Cornwall Museum
A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
Oil on canvas, Newlyn School, 1920 or 1924. This painting shows the harsh, labour-intensive working conditions of a china clay pit. Leswidden China Clay Works, near St Just, was a more primitive works than the larger, more mechanised works in the St Austell area. The pit was closed before 1942. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : 2000.24
Media ID 18852227
© RIC
Artist Artwork Blue British Brown Chimney Cornwall English Green Grey Industrial Industry Labour Mineral Rail Smoke Tramway White Workers Yellow Haulage Manual Pulley Rails Spoil Heap
A2 (59.4 x 42cm) Poster Print
Discover the captivating beauty and historical significance of "A China Clay Pit, Leswidden" by Harold Harvey, part of the Media Storehouse range of Poster Prints. This evocative oil painting, created in the Newlyn School style around 1920 or 1924, takes you on a journey to the heart of Cornwall's rich industrial heritage. Harvey's masterpiece offers a poignant glimpse into the harsh realities of china clay mining, with its labour-intensive working conditions vividly captured on canvas. The painting, now held at the Royal Cornwall Museum, is a testament to the resilience and determination of the miners who toiled in these conditions. Bring the history and charm of Cornwall into your home or office with this stunning, authentic reproduction. This high-quality poster print is an ideal addition for those who appreciate art, history, and the beauty of the natural world. Order yours today and let the story of "A China Clay Pit, Leswidden" be a part of your everyday life.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 59.4cm x 38.7cm (23.4" x 15.2")
Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Harold Harvey's masterpiece, "A China Clay Pit, Leswidden" painted in the early 1920s. The artwork provides a poignant glimpse into the arduous and labor-intensive working conditions of a china clay pit during that era. Located near St Just, Leswidden China Clay Works was known for its primitive methods compared to the more mechanized works in St Austell. Harvey, a Cornwall native himself, grew up amidst the very industry he would later immortalize on canvas. His deep connection with the local community allowed him to capture not only their physical toil but also their spirit and resilience. Having studied under Norman Garstin and being influenced by Post-Impressionism during his time in Paris, Harvey's earlier work reflected Stanhope Forbes' style before evolving over time. Although some of his later pieces displayed elements of stylization, they remained distinct from Picasso's influence which prevailed among his contemporaries Ernest and Dod Procter. Notably successful as an artist during this period, Harvey maintained strong friendships with many of the working people he depicted. Continuing to paint until his untimely death in 1941, Harvey left behind a remarkable legacy that vividly portrays Cornwall's industrial heritage through art. This particular painting serves as a testament to both his artistic prowess and unwavering dedication to capturing authentic moments from everyday life without any commercial intent or association with any company.
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