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Poster Print : Set dressers move a Jaguar Mark II car for the next shot during location filming of

Set dressers move a Jaguar Mark II car for the next shot during location filming of



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Set dressers move a Jaguar Mark II car for the next shot during location filming of

Set dressers move a Jaguar Mark II car for the next shot during location filming of " The Villain". The cast and crew where at the Clark Eaton Glass factory on the Southern industrial estate, Bracknell to film a wages snatch scene. Burton plays the lead character Vic Dakin a murderous, sadistic London gang leader. October 1970

Staff
Reading Post
Mirrorpix
Bracknell
Berkshire
England
3138 70 JH

Media ID 21720349

© Mirrorpix

Berkshire Film Production Location


A2 (59.4 x 42cm) Poster Print

Step into the world of film production with our exclusive Media Storehouse Poster Prints. Witness the behind-the-scenes action as set dressers meticulously move a vintage Jaguar Mark II car for the next shot during the filming of "The Villain". Captured at the Clark Eaton Glass factory on the Southern industrial estate, this print brings you closer than ever to the magic of location filming. A must-have for film enthusiasts and collectors alike.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 59.4cm x 39.4cm (23.4" x 15.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Memory Lane Prints > Mirror > 0700to0799 > 00778

> Architecture > Industrial

> Arts > Film

> Europe > United Kingdom > England > Berkshire > Bracknell

> Europe > United Kingdom > England > Berkshire > Reading

> Europe > United Kingdom > England > Berkshire > Related Images

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Popular Themes > Film Poster


EDITORS COMMENTS
In this photo print, we are transported back to the bustling film set of "The Villain" in October 1970. Set dressers can be seen meticulously maneuvering a sleek Jaguar Mark II car, preparing it for the next shot. The cast and crew had gathered at the Clark Eaton Glass factory on the Southern industrial estate in Bracknell to capture an intense wages snatch scene. Amidst the flurry of activity, one cannot help but notice the charismatic presence of Richard Burton himself. Portraying Vic Dakin, a ruthless and sadistic London gang leader, Burton's commanding performance is sure to leave audiences spellbound. As he prepares to step into character once again, his piercing gaze hints at the depth and complexity that will unfold on screen. This snapshot from behind-the-scenes showcases not only the meticulous attention to detail involved in film production but also highlights Berkshire as a prime location for capturing cinematic magic. The vintage charm exuded by this classic Jaguar Mark II adds an air of sophistication and elegance amidst its gritty surroundings. As we delve into this moment frozen in time, we are reminded of how entertainment has evolved over decades past. This photograph serves as a testament to both nostalgia for 1970s cinema and our enduring fascination with transport as an integral part of storytelling.

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