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Poster Print : Sally Becker, British Aid Worker pictured August 1993. Returns to Mostar

Sally Becker, British Aid Worker pictured August 1993. Returns to Mostar



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Sally Becker, British Aid Worker pictured August 1993. Returns to Mostar

Sally Becker, British Aid Worker pictured August 1993. Returns to Mostars war hospital for the second time in two weeks.
The 33 year old artist from Hove in Sussex left Bosnia a heroine, dubbed the Angel of Mostar for single handedly rescuing wounded children trapped in the battle torn city.
Sally dodged constant sniper fire to drive her battered London ambulance into the heart of the war zone.
Her one-woman mercy missions have angered the United Nations

Ian Derry
mirrorpix
Bosnia and Herzegovina
WA*375049

Media ID 21360292

© Mirrorpix

Aid Work Charities Medicine Nurse


A2 (59.4 x 42cm) Poster Print

Bring history to life with our captivating Media Storehouse Poster Prints. This particular piece, "Sally Becker, British Aid Worker pictured August 1993. Returns to Mostar" by Ian Derry from Memory Lane Prints, captures a poignant moment in time. The black-and-white photograph shows Sally Becker, a 33-year-old British aid worker, returning to Mostar's war hospital for the second time in two weeks. Her selfless actions earned her heroic status, making this print an inspiring addition to any wall. Revisit the past with our high-quality poster prints, expertly crafted to bring you the finest details and authenticity.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 59.4cm x 40.4cm (23.4" x 15.9")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Memory Lane Prints > Mirror > 0000to0099 > 00066

> Arts > Artists > M > Mercier Mercier

> Europe > Bosnia and Herzegovina > Mostar

> Europe > United Kingdom > England > London > Ambulance

> Europe > United Kingdom > England > London > Hospitals

> Europe > United Kingdom > England > Sussex > Battle

> Europe > United Kingdom > England > Sussex > Related Images

> Europe > United Kingdom > Northern Ireland > County Londonderry > Derry


EDITORS COMMENTS
This print captures the courageous spirit of Sally Becker, a British Aid Worker who became an emblematic figure during the Bosnian War. Taken in August 1993, it shows Sally returning to Mostar's war hospital for the second time in just two weeks. At only 33 years old, this artist from Hove in Sussex had already earned the title of "Angel of Mostar" for her remarkable acts of heroism. In a city torn apart by conflict, Sally fearlessly maneuvered through constant sniper fire to rescue wounded children trapped amidst chaos and destruction. With unwavering determination, she drove her battered London ambulance into the heart of the war zone on one-woman mercy missions that defied all odds. However, not everyone applauded Sally's selfless efforts. Her actions stirred controversy and even angered some factions within the United Nations. Nonetheless, her commitment to saving lives remained unshaken. This photograph serves as a powerful reminder of those brave individuals who risk their own safety to bring hope and aid to those suffering most. It encapsulates both the resilience and compassion embodied by aid workers like Sally Becker during times of crisis. Taken by Ian Derry as part of his series on 1990s humanitarian work and charities, this image is more than just a snapshot; it represents an extraordinary chapter in history when ordinary people rose above adversity to make an extraordinary difference.

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