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Poster Print : Theodore Gericault (1791-1824). French painter. Boy seen fro

Theodore Gericault (1791-1824). French painter. Boy seen fro



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Theodore Gericault (1791-1824). French painter. Boy seen fro

Theodore Gericault (1791-1824). French painter. Boy seen from the Backside. Pensil, watercolour. Alte Pinakothek. Munich. Germany

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14338122

© Thaliastock / Mary Evans

Alte Andre Jean Louis Movement Munich Painter Pinakothek Romantic Romanticism Theodore Backside Gericault


A2 (59.4 x 42cm) Poster Print

Bring the masterful artistry of Theodore Gericault into your home with our exquisite range of poster prints. This captivating piece, titled "Boy Seen from the Backside," is a rare watercolor painting by the renowned French painter. Originally created in the early 19th century, this artwork is now available as a high-quality poster print, allowing you to enjoy the intricate details and vibrant colors of Gericault's brushstrokes. Perfect for art enthusiasts, collectors, or those looking to add a touch of sophistication to their décor, our poster prints are made using premium materials and printing techniques to ensure a long-lasting and stunning addition to your space. Delve into the rich history of art with our Gericault poster prints from Media Storehouse.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 42cm x 54.8cm (16.5" x 21.6")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This evocative watercolor painting, titled "Boy Seen from the Backside," is a captivating work by the renowned French painter Theodore Gericault (1791-1824). Gericault was a leading figure of the Romantic movement in European art, known for his powerful and emotionally charged compositions. This particular work, created with pen and watercolor, showcases Gericault's exceptional skill in capturing the human form with sensitivity and depth. The subject of the painting is a young boy, depicted from an unconventional perspective, with his back turned to the viewer. The boy's posture is relaxed, and his clothing appears worn and tattered, suggesting a humble and perhaps difficult upbringing. The artist masterfully employs the use of light and shadow to create a sense of depth and texture, drawing the viewer in and inviting them to contemplate the boy's story. This painting is part of the esteemed collection of the Alte Pinakothek museum in Munich, Germany. Founded in 1826, the Alte Pinakothek is one of the oldest public galleries in the world, and its extensive holdings of European art from the Middle Ages to the 18th century include works by many of the most celebrated artists in history. Gericault's "Boy Seen from the Backside" is a testament to the museum's commitment to preserving and showcasing the rich artistic heritage of Europe. This watercolor painting is a poignant reminder of the power of art to evoke emotion and transport us to another time and place. Gericault's masterful use of color, light, and form invites us to connect with the subject on a deeply human level, making it a must-see for anyone interested in the history of art or the human experience.

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