Poster Print : The Duke of Kent by Stephen Ward
Poster Prints from Mary Evans Picture Library
The Duke of Kent by Stephen Ward
Edward, Duke of Kent (1935 - ), son of Prince George, Duke of Kent and Princess Marina of Greece; the present Queens cousin pictured in 1961 when he had represented his cousin the Queen at the Sierra Leone independence celebrations in Freetown. The illustration is by Stephen Ward, the society osteopath and artist who sketched several high profile figures for the Illustrated London News in 1961, but two years later he would become notorious through his involvement in the Profumo Affair. Date: 1961
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14166190
© Illustrated London News Ltd/Mary Evans
1961 News Scandal Stephen Ward
A2 (59.4 x 42cm) Poster Print
Introducing the Media Storehouse range of stunning poster prints, featuring the iconic image of "The Duke of Kent by Stephen Ward." This captivating photograph, sourced from Mary Evans Prints Online, showcases Edward, Duke of Kent (b. 1935) in 1961 during his representation of his cousin, Queen Elizabeth II, at the Sierra Leonean Independence celebrations. Add an air of royal elegance and sophistication to any room with this beautiful, rights-managed print. Order yours today and bring a piece of history into your home.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 39.6cm x 59.4cm (15.6" x 23.4")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this black and white sketch, we find Edward, Duke of Kent (b. 1935), a first cousin of Queen Elizabeth II, in the prime of his youth during the historic Sierra Leone independence celebrations in Freetown in 1961. The Duke, who represented the Queen at the event, is depicted in a formal attire, exuding an air of regal confidence and poise. The illustration was skillfully rendered by Stephen Ward (1912-1963), a renowned British osteopath and artist. At the time, Ward was a prominent figure in London's high society circles and a regular contributor to the Illustrated London News, where he sketched several high-profile personalities. His distinctive, expressive style brought the subjects to life, capturing their essence and personality in a way that resonated with the public. However, the seemingly idyllic scene of the Duke's portrait belies the darker turn Ward's life would take just two years later. In 1963, he became infamous for his involvement in the Profumo Affair, a political and social scandal that rocked the British establishment. The scandal, which involved Ward, John Profumo (Secretary of State for War), Christine Keeler, and other key figures, led to the resignation of Profumo and significant damage to the reputation of the British government. This evocative portrait of the Duke of Kent by Stephen Ward serves as a poignant reminder of a time when the artist was still known for his exceptional talent and contributions to the world of art, rather than his association with scandal. The image stands as a testament to the complexities and contradictions of the human experience, as well as the enduring power of art to capture a moment in history.
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