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Poster Print : Cartoon, Siege de la Colonne de Pompee
Poster Prints from Mary Evans Picture Library
Cartoon, Siege de la Colonne de Pompee
Cartoon, Siege de la Colonne de Pompee [Pompeys Pillar, a Roman triumphal column], Science in the Pillory, by James Gillray. Showing Turks and Bedouins at the base of a tall Corinthian column, on top of which is a group of terrified Frenchmen (one of whom is possibly Napoleon). The Arabs have lit a fire at the base of the column. A satirical depiction of an incident which took place in Alexandria, Egypt, in 1798. Date: 1799
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14230245
© The Sharp Illustration Collection / Mary Evans Picture Library
1790s 1799 Arab Arabs Balloon Bedouin Bedouins Camel Camels Colonne Comment Corinthian Criticism Falling Fear Fluted Frenchmen Gillray Harsh Incident Misunderstanding Napoleon Orientalism Pillar Pillory Relationship Research Rifle Satire Satirical Scientific Siege Tall Terrified Terror Triumphal Turks Weapon Base Pompee
A2 (59.4 x 42cm) Poster Print
Introducing the Media Storehouse range of captivating poster prints, featuring the iconic "Cartoon, Siege de la Colonne de Pompee" by James Gillray from Mary Evans Prints Online. This timeless masterpiece, titled "Siege de la Colonne de Pompee" or "Pompey's Pillar, a Roman triumphal column" in Science in the Pillory, is a brilliant satirical commentary on the scientific community of the 18th century. The intricate detail and wit of Gillray's cartoon come alive in this high-quality poster print, making it a perfect addition to any room in your home or office. Bring a touch of history and humor to your space with this exquisite print from Media Storehouse.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 55.3cm (16.5" x 21.8")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
James Gillray's satirical print, "Siege de la Colonne de Pompee" (Siege of Pompey's Pillar), offers a harsh commentary on the political tensions and misunderstandings between European powers and the Middle East during the late 18th century. The image depicts a chaotic scene at the base of a tall Corinthian column, which represents Pompey's Pillar, a Roman triumphal monument in Alexandria, Egypt. A group of terrified Frenchmen, including what may be a likeness of Napoleon Bonaparte, cling to the fluted surface of the column as Turks and Bedouins below light a fire at its base. The scene is a satirical depiction of an incident that took place in Alexandria in 1798, when the French army, led by Napoleon, arrived in Egypt and encountered resistance from local Arab and Turkish forces. The print's title, "Science in the Pillory," suggests a critique of the European scientific and imperialist ambitions that fueled the French expedition to Egypt. The Frenchmen atop the column are shown with books and scientific instruments, implying a connection between their research and the violence and chaos unfolding below. The Arabs and Bedouins, in contrast, are portrayed as primitive and violent, with one Bedouin riding a camel and brandishing a rifle. The image reinforces Orientalist stereotypes that would come to dominate European perceptions of the Middle East in the following centuries. The balloon and falling man in the upper left corner of the print add a whimsical element to the otherwise harsh and critical commentary. The balloon, labeled "Aerostation," may represent the hubris of European scientific and imperialist endeavors, while the falling man represents the fragility and uncertainty of the European presence in the Middle East.
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