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Poster Print : Natives of the Muchicongo Tribe, Near Luanda, Congo, Vol II, c1820-30. Creator: Italian School

Natives of the Muchicongo Tribe, Near Luanda, Congo, Vol II, c1820-30. Creator: Italian School



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Natives of the Muchicongo Tribe, Near Luanda, Congo, Vol II, c1820-30. Creator: Italian School

Natives of the Muchicongo Tribe, Near Luanda, Congo, Vol II, Pl. 42. from Le Costume Ancien et Moderne c.1820-30 (colour lithograph). From the collection by Giulio Ferrario (1767-1847) of Costumi dei... [respective countries/areas], pub. 1820s/30s; engravings by Fumagalli et al

Heritage Images features heritage image collections

Media ID 18269788

© Historica Graphica Collection / Heritage-Images

Activities Congo Grooming Palm Trees Skirt Tribal Tribe Washing Colour Lithograph Historica Graphica Collection Luanda Zaire


A2 (59.4 x 42cm) Poster Print

Step back in time with our exquisite poster print from the Media Storehouse collection, featuring the Natives of the Muchicongo Tribe, captured near Luanda, Congo, in the early 1800s. This captivating image, part of Volume II, Plate 42 from Le Costume Ancien et Moderne, showcases the rich cultural heritage of this African tribe. Created by the Italian School, this stunning color lithograph offers a unique glimpse into the past, making it a must-have for history enthusiasts, art collectors, and those who appreciate the beauty of diverse human traditions. Add this beautiful piece to your home or office decor and let the story of the Muchicongo Tribe transport you to another time and place.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Angola > Luanda

> Arts > Artists > F > Giulio Ferrario

> Arts > Artists > I > Italian School Italian School

> Europe > United Kingdom > Scotland > Highlands > Alness


EDITORS COMMENTS
This print showcases the indigenous people of the Muchicongo Tribe, near Luanda in Congo during the early 19th century. Created by the Italian School, this colour lithograph is a part of Giulio Ferrario's renowned collection, "Le Costume Ancien et Moderne". The image, Plate 42 from Volume II, beautifully captures the essence of tribal life and offers a glimpse into their rich cultural heritage. In this vibrant scene, we witness members of the Muchicongo Tribe engaging in various activities that reflect their daily lives. Against a backdrop of towering palm trees and lush vegetation, men and women are seen gathering together for communal tasks such as grooming and washing. Their traditional robes and skirts add an element of authenticity to their attire while showcasing their unique sense of style. The tribe's connection with music is evident as one individual can be seen playing a musical instrument, filling the air with melodic tunes that resonate through the landscape. This harmonious moment highlights not only their artistic expression but also serves as a reminder of Africa's diverse musical traditions. As we admire this historical photograph print from Heritage Images' Historica Graphica Collection, it is essential to acknowledge its significance beyond mere aesthetics. It sheds light on colonialism's impact on African tribes during that era while celebrating these resilient individuals who have managed to preserve their cultural identity amidst external influences.

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