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Poster Print : Dolmen, Cap del Puetch, Ariege, France, c. 1865-1869. Creator: Arthur A. Taylor (French

Dolmen, Cap del Puetch, Ariege, France, c. 1865-1869. Creator: Arthur A. Taylor (French



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Dolmen, Cap del Puetch, Ariege, France, c. 1865-1869. Creator: Arthur A. Taylor (French

Dolmen, Cap del Puetch, Ariege, France, c. 1865-1869. A British-born photographer, Taylor lived in Marseille and became a member of the Societe Francaise de Photographie in 1860. Taking photographs in city parks and the surrounding countryside, as well as in Ariege and Seine-et-Oise, he often worked with the establishment G. Arosa et Cie in Saint-Cloud to produce his ink-based prints made from photographs according to the publishers unique process. This print is likely made from a shellac base, for Taylor wrote several articles for British and American photographic journals on a shellac printing process in 1866 and 1867. After printing, the images would be mounted onto a heavy card stock and sold to be collected in albums. Here, the subject, a dolmen, or Neolithic tomb, reflects 19th-century interest in distant history and early monuments

Heritage Images features heritage image collections

Media ID 19623507

© Heritage Art/Heritage Images

1873


A2 (59.4 x 42cm) Poster Print

Step back in time with our exquisite poster print from the Media Storehouse collection. Featuring the captivating image of Cap del Puetch Dolmen in Ariege, France, captured by the skilled lens of British photographer Arthur A. Taylor between 1865 and 1869. Taylor, a Marseille resident and member of the Societe Francaise de Photographie since 1860, masterfully documented this ancient megalithic site. Bring the rich history and timeless beauty of this prehistoric monument into your home or office with our high-quality poster print. A perfect addition to any space, this print is sure to ignite curiosity and inspire wonder.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 56.2cm x 42cm (22.1" x 16.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > N > Neolithic Neolithic

> Europe > France > Canton > Ariege

> Europe > France > Canton > Oise

> Europe > France > Canton > Seine

> Europe > France > Marseilles

> Europe > United Kingdom > England > Cleveland

> Europe > United Kingdom > England > London > Sights > British Museum

> Historic > Monuments and landmarks > Monuments and memorials

> Historic > Monuments and landmarks


EDITORS COMMENTS
This photo print, titled "Dolmen, Cap del Puetch, Ariege, France" takes us back to the late 19th century. Created by Arthur A. Taylor, a British-born photographer who resided in Marseille and was a member of the Societe Francaise de Photographie, this image showcases his talent for capturing both natural landscapes and historical monuments. The dolmen featured in this photograph is an ancient Neolithic tomb that reflects the fascination with distant history prevalent during the 19th century. Taylor's choice to immortalize this early monument demonstrates his keen interest in preserving cultural heritage through photography. To produce this stunning print, Taylor collaborated with G. Arosa et Cie in Saint-Cloud using their unique ink-based process. It is likely that he utilized a shellac base for printing as he had previously written articles on a shellac printing process for photographic journals. Once printed onto waxed paper negatives using this specialized technique, these images would be mounted onto sturdy card stock and sold as collectible items or added to albums. This particular print now resides at The Cleveland Museum of Art thanks to Heritage Art/Heritage Images' preservation efforts. Through its exquisite composition and meticulous craftsmanship, this print transports viewers back in time while simultaneously highlighting the enduring beauty of France's ancient landmarks.

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