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Poster Print : Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103)

Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103)



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Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103)

XIR346104 Monument to Leon Gambetta, Force, cour Napoleon, Louvre, 1888 (detail) (see also 346101 to 346103) (bronze & stone) (b/w photo) by Aube, Jean Paul (1837-1916); Paris, France; (add.info.: Monument a Gambetta (1838-82); with Louis Charles Boileau (1837-1914) architect; inaugurated 14th July; bronze melted during Vichy Government; removed in 1954; group of Gambetta rebuilt in 1982, Square Edouard Vaillant, 20th arrondissement; allegory of Human Rights; French Republican statesman; Photo Adolphe Giraudon late 19th century; A.G. phot; ); French, out of copyright

Media ID 12862915

© www.bridgemanimages.com

Draped Drapery Half Nude


A2 (59.4 x 42cm) Poster Print

Add a touch of timeless elegance to your space with our Monument to Leon Gambetta poster print. This captivating detail from Jean Paul Aube's black and white photograph (XIR346104) showcases the intricate beauty of the bronze and stone monument located in the Cour Napoléon at the Louvre Museum in Paris. Dated back to 1888, this iconic masterpiece is a tribute to French statesman Leon Gambetta, and now, it can be a part of your personal art collection. Bring the rich history and artistic detail of the Louvre Museum into your home or office with our high-quality poster prints.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 42cm x 54.1cm (16.5" x 21.3")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
The print captures a detailed view of the Monument to Leon Gambetta, located in the Force courtyard of the Louvre in 1888. The monument was created by Jean Paul Aube and Louis Charles Boileau as a tribute to Gambetta, a French Republican statesman known for his advocacy of human rights. In this particular detail, we see an allegorical female statue seated on a stone pedestal. She is depicted half-nude with draped drapery, exuding grace and elegance. The statue symbolizes the embodiment of Human Rights, reflecting Gambetta's commitment to championing equality and justice. The black-and-white photograph taken by Adolphe Giraudon in the late 19th century adds a timeless quality to this historical artwork. It showcases the intricate craftsmanship of Aube's bronze and stone sculpture while capturing its grandeur within the cour Napoleon. Unfortunately, during World War II under Vichy Government rule, the bronze components of the monument were melted down for military purposes. As a result, it was removed from its original location in 1954. However, hope was not lost for this significant piece of art as it was rebuilt in 1982 at Square Edouard Vaillant in Paris' 20th arrondissement. Today, it stands as a powerful reminder of Leon Gambetta's legacy and his unwavering dedication to upholding human rights values throughout France's history.

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