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Poster Print : Detail of the Portico de la Gloria depicting St. Andrew (stone)

Detail of the Portico de la Gloria depicting St. Andrew (stone)



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Detail of the Portico de la Gloria depicting St. Andrew (stone)

XJL158481 Detail of the Portico de la Gloria depicting St. Andrew (stone) by Mateo, Master (fl.1168-88); Cathedral of St. James, Santiago da Compostela, Spain; Spanish, out of copyright

Media ID 23351136

© Bridgeman Images

Disciple Entrance To The Cathedral Gateway Of Glory Romanesque Apostle


A2 (59.4 x 42cm) Poster Print

Discover the intricate beauty of the Media Storehouse's Poster Prints, featuring a captivating detail of the Portico de la Gloria from the Cathedral of St. James in Santiago de Compostela, Spain. This exquisite image showcases St. Andrew, masterfully carved in stone by the unknown Mateo (fl.1168-88). With stunning detail and out-of-copyright protection, our high-quality poster prints bring the rich history and artistry of Fine Art Finder's Bridgeman Images directly to your home or office. Elevate your space with a touch of timeless European art.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > German School

> Fine Art Finder > Artists > Master Mateo

> Fine Art Finder > Sculpture

> Architecture > Cathedrals

> Architecture > Country > Spain

> Architecture > Styles > Romanesque Architecture

> Europe > Italy > Veneto > Mestre

> Europe > Spain > Heritage Sites > Santiago de Compostela (Old Town)

> Europe > Spain > Posters

> Europe > Spain > Related Images

> Historic > Medieval architecture > Romanesque architecture > Architectural details

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Romanesque architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings


EDITORS COMMENTS
This print captures a mesmerizing detail of the Portico de la Gloria, located in the Cathedral of St. James in Santiago da Compostela, Spain. The focus is on a stone carving depicting St. Andrew, one of the apostles and disciples of Jesus Christ. The intricate craftsmanship displayed in this image is truly remarkable. Every curve and line has been meticulously carved by Mateo, Master (fl. 1168-88), also known as Mestre Matteus, during the Romanesque period. The attention to detail brings this jamb figure to life, showcasing the skill and talent of its creator. The Portico de la Gloria serves as an entrance to the cathedral and is often referred to as "the gateway of glory". It stands as a testament to architectural brilliance and religious devotion throughout history. As we gaze upon this photograph, we are transported back in time, marveling at the artistry that adorns these sacred walls. This print allows us to appreciate not only the beauty captured within it but also provides insight into centuries-old traditions and beliefs. With its timeless appeal and historical significance, this print from Bridgeman Images offers a glimpse into a world where faith meets artistry - reminding us that even through stone carvings like these can transcend time itself.

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