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Poster Print : The Cornaro Chapel, view of the altar with The Ecstasy of St. Teresa (photo)

The Cornaro Chapel, view of the altar with The Ecstasy of St. Teresa (photo)



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The Cornaro Chapel, view of the altar with The Ecstasy of St. Teresa (photo)

XJL104194 The Cornaro Chapel, view of the altar with The Ecstasy of St. Teresa (photo) by Bernini, Gian Lorenzo (1598-1680); Santa Maria della Vittoria, Rome, Italy; Italian, out of copyright

Media ID 23212706

© Bridgeman Images

Avila Theresa


A2 (59.4 x 42cm) Poster Print

Experience the ethereal beauty of Bernini's masterpiece with our Media Storehouse Poster Prints featuring The Cornaro Chapel, view of the altar with The Ecstasy of St. Teresa. This exquisite artwork, captured by Bridgeman Images from Fine Art Finder, showcases the intricate details of the Baroque sculpture, transporting you to the hallowed halls of Santa Maria della Vittoria in Rome. Bring the timeless allure of Italian art into your home or office with our high-quality, museum-grade poster prints. Order yours today and let the transcendent power of Bernini's masterpiece inspire you every day.

A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 42cm x 53.7cm (16.5" x 21.1")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Architecture - Italy - Photograph

> Fine Art Finder > Artists > Egyptian 22nd Dynasty

> Fine Art Finder > Artists > Gian Lorenzo Bernini

> Arts > Art Movements > Baroque

> Arts > Artists > B > Gian Lorenzo Bernini

> Europe > Italy > Lazio > Rome

> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > Italy > Sicily > Vittoria


EDITORS COMMENTS
This print captures the awe-inspiring beauty of The Cornaro Chapel, with its focal point being the exquisite altar adorned with Gian Lorenzo Bernini's masterpiece, The Ecstasy of St. Teresa. As you gaze upon this image, you are transported to Santa Maria della Vittoria in Rome, Italy. The baroque interior of the chapel is a testament to the grandeur and opulence that characterized this artistic period. Every detail is meticulously crafted, creating an atmosphere that is both ethereal and divine. The play of light and shadow adds depth and drama to the scene, enhancing the emotional impact of Bernini's sculpture. At the center of it all lies The Ecstasy of St. Teresa - a work that epitomizes Bernini's genius as a sculptor. This photograph allows us to witness firsthand the intensity and passion captured within St. Teresa's face as she experiences her mystical encounter with divine love. The transverberation depicted here symbolizes not only St. Teresa's spiritual ecstasy but also serves as a reminder for viewers to seek their own connection with something greater than themselves. Through this remarkable photograph by Bridgeman Images, we are granted access into a moment frozen in time - one that encapsulates centuries worth of artistry, faith, and human emotion. It serves as a testament to how art has the power to transcend boundaries and touch our souls across generations.

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