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Poster Print : Baptism of Christ, designed 1645-46, probably made 1650-55 (bronze)
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Baptism of Christ, designed 1645-46, probably made 1650-55 (bronze)
499628 Baptism of Christ, designed 1645-46, probably made 1650-55 (bronze)
by Algardi, Alessandro (1598-54); 62.5x46.8x33.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: When Innocent X (ruled 1644-55) became pope, Alessandro Algardi endeavored to obtain his patronage. This bronze Baptism of Christ is a casting from the molds used for an original silver sculpture that Algardi presented to the new pope to gain his support. The composition depicts an important scene in the life of Christ. On the right is John the Baptist, who pours water onto Jesuss head from a shell. As Christ bows his head to be baptized, a little angel holds the edge of his cloak. Algardi worked carefully to make this piece exciting from a number of points of view. Its dramatic emphasis shifts, depending on the viewers vantage point. ); Andrew R. and Martha Holden Jennings Fund; Italian, out of copyright
Media ID 23553566
© Andrew R. and Martha Holden Jennings Fund / Bridgeman Images
Baptism Christening Figurine John The Baptist Putti Shell Statuette Cherubim Cherubs
A2 (59.4 x 42cm) Poster Print
Experience the divine with our exquisite Baptism of Christ poster print from the Media Storehouse collection. This stunning artwork, designed by the renowned Italian artist Alessandro Algardi between 1645-46, showcases the sacred moment of Jesus' baptism in the River Jordan. The print, believed to have been created around 1650-55, captures the intricate details and lifelike quality of the bronze original housed in the Cleveland Museum of Art. Bring the beauty and reverence of this masterpiece into your home or office and elevate your space with this inspiring work of art.
A2 Poster (59.4 x 42cm, 23.4" x 16.5" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 42cm x 51.6cm (16.5" x 20.3")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the "Baptism of Christ" a remarkable bronze sculpture designed by Alessandro Algardi in 1645-46 and probably made between 1650-55. The artwork, measuring 62.5x46.8x33.4 cm, is housed at the Cleveland Museum of Art in Ohio, USA. Algardi created this masterpiece with the intention of gaining patronage from Pope Innocent X during his reign from 1644 to 1655. To achieve this, he presented an original silver sculpture to the new pope as a symbol of support. This bronze casting was produced using molds from that very same silver piece. The composition depicts a significant moment in Jesus Christ's life - his baptism by John the Baptist on the right side of the sculpture. With water pouring onto Jesus' head from a shell held by John, an angel gently holds onto his cloak as he bows down for baptism. Algardi meticulously crafted this artwork to be visually stimulating from various angles, ensuring its dramatic impact would shift depending on each viewer's perspective. This print beautifully captures every detail of Algardi's work - showcasing not only the central figures but also including elements such as angels and cherubs surrounding them. It serves as a testament to Algardi's skillful sculpting technique and artistic vision while immortalizing this important scene in Christian history through artistry and craftsmanship.
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