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Postcard : As the magazine itself describes it: "The smile on the face of a tiger would warn off the least wary but the smile on the face of a chorister is plainly to be trusted
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As the magazine itself describes it: "The smile on the face of a tiger would warn off the least wary but the smile on the face of a chorister is plainly to be trusted
As the magazine itself describes it: " The smile on the face of a tiger would warn off the least wary but the smile on the face of a chorister is plainly to be trusted. That is until he turns away and discloses the means to enforce Christmas demands which come high these days." Date: 1963
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 24772048
© Illustrated London News Ltd/Mary Evans
1963 Angelic Choir Choirboy Chorister Demanding Demands Disguising Hiding Innocence Innocent Silly Smile Tatler Things Trust Trusted Williams
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The cover of the December 1963 issue of Tatler magazine features a charming and innocent-looking chorister, with a captivating smile that would put even the wariest at ease. However, as the magazine's caption wittily points out, appearances can be deceiving. The smile on this choirboy's face is a facade, concealing the means to enforce the high demands of the Christmas season. The image, designed by AL Rockall and photographed by Jim Williams, masterfully captures the contrast between the expected innocence of a choirboy and the underlying reality of the holiday season's financial pressures. The red background adds a playful and humorous touch to the otherwise serious scene. The chorister's disguise of innocence is a common theme of the 1960s, where the fun and frivolity of the era often hid deeper truths. This image, with its clever use of contrast and witty caption, remains a delightful reminder of the unexpected twists and turns of the holiday season.
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