Postcard : SPRINGVILLE CANYON. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton
Cards from Liszt Collection
SPRINGVILLE CANYON. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton
SPRINGVILLE CANYON. Thomas Moran (February 12, 1837 a August 25, 1926) from Bolton, England was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. USA
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12831197
© Quint Lox Limited
1837 1926 August 25 Bolton Canyon February 12 Hudson River School Painter Printmaker Rocky Mountains Thomas Moran United States Of America
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
Springville Canyon
EDITORS COMMENTS
is a captivating print by Thomas Moran, an esteemed American painter and printmaker of the 19th century. Born in Bolton, England, Moran found inspiration in the majestic landscapes of the United States, particularly the Rocky Mountains. As a prominent member of the Hudson River School in New York, his artwork often depicted these natural wonders with great detail and beauty. In this engraved image from the Liszt Collection, Moran's illustrative technique transports us to Springville Canyon. The scene captures the essence of untouched wilderness as sunlight filters through towering cliffs and illuminates a winding river below. The meticulous engravement showcases Moran's mastery in capturing nature's grandeur. This vintage piece evokes a sense of nostalgia with its retro styling reminiscent of 19th-century artistry. It serves as a testament to both America's rich history and artistic heritage. Through his work, Moran invites viewers to appreciate not only the physical beauty but also the cultural significance embedded within these landscapes. As we gaze upon "Springville Canyon" we are transported back in time to an era when artists like Thomas Moran sought to capture America's vastness on canvas or engraving plates. This print stands as a timeless reminder that even amidst our modern world, there will always be awe-inspiring vistas waiting for us to explore and admire.
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