Postcard : Portrait Jakob MAÔé¼hly student 1848 oil canvas

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Portrait Jakob MAÔé¼hly student 1848 oil canvas

Portrait of Jakob Mahly as a student, 1848, oil on canvas, 32.6 x 24.4 cm, monogrammed and dated on the right: A. B. 1848, Arnold Bocklin, Basel 1827-1901 San Domenico

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19590682

© Artokoloro

1848 Arnold Bocklin Basel 1827–1901 San Domenico Dated Monogrammed Student

Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print showcases the remarkable "Portrait of Jakob Mahly as a student" painted by Arnold Böcklin in 1848. The oil on canvas masterpiece measures 32.6 x 24.4 cm and is adorned with the artist's monogram and date, A. B. 1848, on the right side. Böcklin, born in Basel in 1827 and passing away in San Domenico in 1901, was renowned for his exceptional talent as a painter. In this portrait, we see Jakob Mähly depicted during his time as a student. The attention to detail is astonishing; every brushstroke captures Mähly's youthful features and intellectual curiosity perfectly. His piercing gaze seems to reflect both determination and an eagerness for knowledge. Böcklin's skillful use of light and shadow adds depth to the composition, enhancing the three-dimensional quality of Mähly's figure against the dark background. The artist masterfully balances realism with an artistic touch that brings out the subject's personality. This print allows us to appreciate not only Böcklin's technical prowess but also his ability to capture human emotion through portraiture. It serves as a testament to both Mähly's individuality as a student during this significant period of history and Böcklin's enduring legacy as one of Switzerland's most celebrated artists

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