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Postcard : Male Figure Ofika late 1800s early 1900s Central Africa

Male Figure Ofika late 1800s early 1900s Central Africa



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Male Figure Ofika late 1800s early 1900s Central Africa

Male Figure (Ofika), late 1800s or early 1900s. Central Africa, Democratic Republic of the Congo, Mbole people. Wood

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18467045

© Liszt Collection

Central Africa Congo Democratic Republic Early 1900s Late 1800s Male Figure


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Central African Republic > Related Images

> Africa > Democratic Republic of the Congo > Related Images

> Africa > Republic of the Congo > Related Images


EDITORS COMMENTS
This print showcases a remarkable Male Figure (Ofika) from the late 1800s or early 1900s, originating from Central Africa. Specifically, this masterpiece hails from the Democratic Republic of the Congo and belongs to the esteemed Mbole people. Crafted meticulously out of wood, this male figure exudes an air of mystery and cultural significance. The intricate details carved into this sculpture are truly awe-inspiring. From its elongated limbs to its delicately chiseled facial features, every aspect reflects the skillful craftsmanship of its creator. The artist's attention to detail is evident in the fine lines etched onto the figure's body, symbolizing strength and resilience. As we observe this Male Figure (Ofika), we can't help but wonder about its purpose within Mbole society. Was it used for ceremonial rituals? Or perhaps it held a more symbolic role as a representation of ancestral spirits? Its enigmatic expression leaves room for interpretation and invites us to delve deeper into Central African culture. Preserved through time, this photograph allows us to appreciate not only the artistic mastery behind such creations but also serves as a testament to our shared human history. It reminds us that art transcends time and space, connecting us with cultures long gone yet still alive in their artistic legacy.

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