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Postcard : Araucano, Native of Chili, 1848

Araucano, Native of Chili, 1848



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Araucano, Native of Chili, 1848

Araucano, Native of Chili, 1848. Mapuche Indian from southern Chile, A specimen of the Andean family. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London, third edition, 1848)

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Media ID 14917959

© The Print Collector / Heritage-Images

Amerindian Chile Chilean Ethnicity Ethnography Ethnology Extermination James Cowles James Cowles Prichard James Prichard Natural History Prichard Pritchard Race South American


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> South America > Chile > Related Images

> South America > Related Images


EDITORS COMMENTS
This 19th-century engraving, titled "Araucano, Native of Chili, 1848" offers a glimpse into the rich cultural heritage of the Mapuche Indians from southern Chile. The print is part of James Cowles Prichard's renowned work, "The Natural History of Man" published in London in 1848. In this striking portrait, we see an Araucano man proudly displaying his traditional costume. His vibrant attire reflects the ethnic diversity and unique customs that have shaped Chilean culture for centuries. The intricate details and vivid colors highlight the significance placed on preserving their ancestral traditions. As we delve deeper into this image, it becomes evident that there is more to it than meets the eye. Beyond its aesthetic appeal lies a poignant reminder of the challenges faced by indigenous communities during this period. The mention of extermination raises questions about historical injustices and serves as a call to acknowledge and rectify past wrongs. Through this engraving, we are transported back in time to witness not only an individual but also an entire community striving to preserve their identity amidst external pressures. It reminds us of our responsibility to honor and respect diverse cultures while acknowledging their contributions to our shared human history. This remarkable print serves as both a testament to James Prichard's dedication to documenting humanity's natural history and as a window into South America's rich tapestry of indigenous peoples' lives.

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