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Postcard : GAVARNI: PORTRAIT, 1850. The Flattering Portrait. Lithograph, c1850, by Paul Gavarni
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GAVARNI: PORTRAIT, 1850. The Flattering Portrait. Lithograph, c1850, by Paul Gavarni
GAVARNI: PORTRAIT, 1850.
The Flattering Portrait. Lithograph, c1850, by Paul Gavarni
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12353681
1850 Allegory Balance Canvas Creativity Judge Justice Model Paintbrush Painter Parody Paul Portraitist Satire Sketch Sleep Studio Gavarni
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This lithograph, titled "GAVARNI: PORTRAIT, 1850. The Flattering Portrait" is a masterpiece created by the talented French artist Paul Gavarni in 1850. The artwork showcases Gavarni's exceptional skills as a portraitist and his ability to capture the essence of his subjects. In this particular piece, Gavarni presents us with a satirical depiction of an old painter working in his studio. With great attention to detail, he portrays the middle-aged artist engrossed in his work, holding a paintbrush and sketching on canvas. The scene exudes creativity and balance as various elements come together harmoniously. The title "The Flattering Portrait" hints at the underlying theme of parody and satire within this artwork. Gavarni humorously comments on the nature of portraiture by showcasing how artists often flatter their subjects rather than presenting an accurate representation. As we observe closely, we notice that both men and women are present in the painting—perhaps representing different models or clients seeking justice through art. This allegorical portrayal adds depth to Gavarni's commentary on society's obsession with appearances. Overall, this lithograph serves as a testament to Paul Gavarni's artistic prowess and wit. It invites viewers to reflect upon the role of art in portraying reality versus idealized versions while appreciating the skillful execution behind every stroke of the brush.
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