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Postcard : Plan of the City of Washington as originally laid out in 1793 (engraving)
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Plan of the City of Washington as originally laid out in 1793 (engraving)
PNP247617 Plan of the City of Washington as originally laid out in 1793 (engraving) by American School, (18th century) (after); Private Collection; (add.info.: city designed by Pierre Charles L Enfant (1754-1825) a French-born American architect and urban planner; appointed by George Washington to design a new federal capital; District of Columbia; ); Peter Newark American Pictures; American, out of copyright
Media ID 22662566
© Peter Newark American Pictures / Bridgeman Images
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving, titled "Plan of the City of Washington as originally laid out in 1793" offers a fascinating glimpse into the birth of America's capital. Created by an unknown American School artist in the 18th century, this print showcases the meticulous urban planning and architectural vision of Pierre Charles L'Enfant. Appointed by George Washington himself, L'Enfant was entrusted with designing a new federal capital that would symbolize the ideals and aspirations of a young nation. This intricate map reveals his grand vision for Washington D. C. , with its carefully plotted streets and strategic positioning along the majestic Potomac River. As you study this historic artwork, you can't help but be struck by the sheer scale and ambition behind L'Enfant's plan. Every street seems to have been thoughtfully placed to create harmony and efficiency within the cityscape. The grid-like layout is both practical and aesthetically pleasing, reflecting Enlightenment-era ideals of order and progress. This engraving serves as a testament to not only L'Enfant's genius but also to America's early dreams of creating a capital that would rival any other in terms of beauty and functionality. It is through prints like these that we are able to appreciate how far our nation has come while also honoring those who played pivotal roles in shaping its history.
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