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Postcard : John Bull and the Architect Wot Builds the Arches - Cartoon published 1829
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John Bull and the Architect Wot Builds the Arches - Cartoon published 1829
SC26387 John Bull and the Architect Wot Builds the Arches - Cartoon published 1829 by Cruikshank, George (1792-1878); Victoria & Albert Museum, London, UK; (add.info.: shows John Nash (1752-1835) standing between two wings of Buckingham palace confronted by John Bull holding a long scroll. The two men separated by Marble Arch; Heres a charge for building Wings....); English, out of copyright
Media ID 22603450
© Bridgeman Images
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
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Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "John Bull and the Architect Wot Builds the Arches" takes us back to 1829, a time of political satire and social commentary. Created by George Cruikshank, a renowned English cartoonist, this artwork depicts an iconic moment in British history. In the image, we see John Nash, a prominent architect responsible for designing Buckingham Palace, standing between two wings of the palace. He is confronted by John Bull, a personification of England itself, holding a long scroll symbolizing accountability. The two men are separated by Marble Arch, adding depth to their contrasting roles. The cartoon cleverly captures the tension between architects and their clients during that era. John Bull represents public opinion and demands transparency from those in power while Nash embodies authority and responsibility as he faces scrutiny for his architectural choices. Through this satirical piece, Cruikshank highlights society's fascination with grand architecture while questioning its cost and practicality. The inclusion of Marble Arch serves as both a physical barrier separating these figures and a metaphorical representation of extravagant construction expenses. Preserved at the Victoria & Albert Museum in London today, this artwork continues to intrigue viewers with its historical significance and artistic brilliance. It reminds us that even centuries ago, art had the power to provoke thought on societal issues that remain relevant today.
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