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Postcard : Verdict, Not Guilty, 1882 (oil on canvas)

Verdict, Not Guilty, 1882 (oil on canvas)



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Verdict, Not Guilty, 1882 (oil on canvas)

BAL167461 Verdict, Not Guilty, 1882 (oil on canvas) by Makovsky, Vladimir Egorovic (1846-1920); 79x105 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Media ID 12736734

© www.bridgemanimages.com

Advocate Avocat Barrister Courtroom Emotional Free Guard Judge Lawyer Mother And Child Peredvizhniki Peredvizhniki Group Reunited Court Of Law


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Vladimir Egorovic Makovsky

> Fine Art Finder > Legal,banking & Political Scenes


Verdict, Not Guilty, 1882 - A Powerful Depiction of Justice and Emotion

EDITORS COMMENTS
. This print showcases Vladimir Egorovic Makovsky's masterpiece, "Verdict, Not Guilty" painted in 1882. The oil on canvas painting measures 79x105 cm and is housed in the prestigious Tretyakov Gallery in Moscow, Russia. This Russian artwork captures a pivotal moment within a court of law. The composition portrays an interior scene filled with relief and raw emotion. A judge presides over the courtroom while a guard stands watchfully nearby. In the foreground, we witness a mother clutching her child as they are reunited after what must have been an arduous trial. Makovsky skillfully conveys the intense emotions experienced by those involved in this legal proceeding. The lawyer or barrister can be seen passionately advocating for their client's innocence while members of the jury listen attentively to every word spoken. This poignant image not only highlights the intricacies of the Russian judicial system during the 19th century but also sheds light on societal dynamics at that time. It belongs to the esteemed Peredvizhniki group - renowned for their realistic portrayals of everyday life. As we gaze upon this remarkable piece, it becomes evident that Makovsky has masterfully captured both individual stories and collective experiences within one frame. Through his brushstrokes, he invites us to ponder themes such as justice, truth-seeking, and human resilience.

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