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Postcard : Title page of the first collection of La Gazette, 1632 (engraving)

Title page of the first collection of La Gazette, 1632 (engraving)



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Title page of the first collection of La Gazette, 1632 (engraving)

XIR167899 Title page of the first collection of La Gazette, 1632 (engraving) by Renaudot, Theophraste (1586-1635); Bibliotheque Nationale, Paris, France; (add.info.: dedicated to King Louis XIII (1601-43); the first lasting weekly publication; authorised to publish official news; supported by Cardinal Richelieu (1585-1642); ); French, out of copyright

Media ID 23366392

© Bridgeman Images

Frontispiece


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This engraving, titled "Title page of the first collection of La Gazette, 1632" takes us back to a significant moment in history. Created by Renaudot, Theophraste in 1632 and now housed in the Bibliotheque Nationale in Paris, France, this print showcases the frontispiece of the very first edition of La Gazette. As we gaze upon this remarkable artwork, we are transported to a time when news dissemination was undergoing a transformative shift. Dedicated to King Louis XIII and authorized to publish official news, La Gazette marked the birth of weekly publications that would endure for centuries. The intricate coat of arms adorning this title page speaks volumes about its significance. Supported by Cardinal Richelieu himself, it symbolizes not only royal approval but also political backing from one of France's most influential figures during that era. In an age where information was scarce and often controlled by those in power, La Gazette emerged as a beacon of truth and transparency. It provided readers with reliable updates on both domestic and international affairs—an invaluable resource for citizens hungry for knowledge. This engraving is not just an artistic masterpiece; it represents a pivotal moment in media history. Its presence reminds us how vital journalism is as a pillar of democracy—a reminder that resonates even today.

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