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Postcard : Jan Gninskis Mission to Istanbul, Ceremony of Payment to the Soldiers, 1679
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Jan Gninskis Mission to Istanbul, Ceremony of Payment to the Soldiers, 1679
CZA229131 Jan Gninskis Mission to Istanbul, Ceremony of Payment to the Soldiers, 1679 (gouache with gold leaf on paper) by Sevin, Pierre Paul (1650-1710); 30x44.5 cm; Czartoryski Museum, Cracow, Poland; French, out of copyright
Media ID 18253715
© Czartoryski Museum, Cracow, Poland / Bridgeman Images
Corn Diplomacy Diplomat Headdresses Moslem Polish Sack
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print captures a significant moment in history - "Jan Gninskis Mission to Istanbul, Ceremony of Payment to the Soldiers, 1679". Painted by Pierre Paul Sevin, this exquisite gouache with gold leaf on paper artwork measures 30x44.5 cm and is housed in the prestigious Czartoryski Museum in Cracow, Poland. Intriguingly framed within an interior setting, the image transports us back to a time when diplomacy played a crucial role in international relations. Jan Gninski, a Polish diplomat, is depicted engaging with Turkish soldiers during a ceremony of payment. The scene exudes an aura of respect and cultural exchange as both parties come together. Notable elements within the painting include the vibrant colors adorning traditional headdresses worn by both Turkish and Polish individuals. These intricate headpieces symbolize their respective identities while bridging gaps between different cultures. Additionally, sacks filled with corn highlight economic transactions that were integral to diplomatic missions during this era. As we delve into this historical snapshot, it becomes evident that Jan Gninski's mission was not solely about financial matters but also aimed at fostering understanding and cooperation between Muslim and Christian communities. This visual narrative serves as a testament to the power of diplomacy in building bridges across nations. This evocative piece from Sevin's oeuvre offers viewers an opportunity to reflect upon past diplomatic endeavors while appreciating the beauty found within art itself.
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