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Postcard : The Death of Chatterton, c. 1856 (oil on panel)
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The Death of Chatterton, c. 1856 (oil on panel)
XYC127211 The Death of Chatterton, c.1856 (oil on panel) by Wallis, Henry (1830-1916); 22.7x30.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 23806598
© Bridgeman Images
Arsenic Corpse Fake Forger Garret Poison Suicide Thomas
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Death of Chatterton, c. 1856" is a hauntingly powerful painting by Henry Wallis that captures the tragic demise of Thomas Chatterton, an 18th-century poet. This small but impactful oil on panel print measures 22.7x30.2 cm and is housed in the prestigious Yale Center for British Art's Paul Mellon Collection. The image depicts a scene of despair and destitution within the confines of a garret room. Chatterton, portrayed as a lifeless corpse lying on his bed, has taken his own life through poison - arsenic being the suspected cause. The artist skillfully conveys the sense of poverty and isolation surrounding this young talent who was misunderstood and unappreciated during his lifetime. Wallis' attention to detail brings forth an air of authenticity to this poignant portrayal; every brushstroke seems to reflect both sorrow and empathy towards Chatterton's plight. The composition evokes emotions ranging from sympathy for the deceased poet to anger at society's failure to recognize his genius. This masterpiece serves as a reminder not only of Chatterton's untimely death at just 17 years old but also highlights broader themes such as artistic struggle, mental health issues, and societal neglect towards creative individuals. As we gaze upon this profound work, we are reminded that art has the power to immortalize stories like Chatterton's - stories that deserve remembrance even centuries later.
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