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Postcard : Garden in Ringsted with a Ancient Baptismal Font, 1850 (oil on canvas)
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Garden in Ringsted with a Ancient Baptismal Font, 1850 (oil on canvas)
XIR144391 Garden in Ringsted with a Ancient Baptismal Font, 1850 (oil on canvas) by Roed, Jorgan (1808-88); 35.5x43 cm; Louvre, Paris, France; (add.info.: Jardin a Ringsted avec une vieille cuve baptismale; ); Danish, out of copyright
Media ID 12696325
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Apple Picking Collecting Cueillir Fonts Baptismaux Ladder Orchard
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the enchanting "Garden in Ringsted with an Ancient Baptismal Font" painted by Jorgan Roed in 1850. The oil on canvas masterpiece measures 35.5x43 cm and is currently housed at the Louvre Museum in Paris, France. In this idyllic scene, we are transported to a serene Danish garden where nature's beauty flourishes. A male and female figure can be seen engrossed in apple picking, standing atop a ladder as they carefully collect the ripe fruits from ancient trees. The stone baptismal font stands proudly amidst the lush greenery, adding a touch of history and spirituality to this picturesque setting. Roed's attention to detail is evident as he skillfully captures every element of this tranquil oasis - from the vibrant colors of the orchard to the weathered texture of the old stone font. This harmonious composition invites us to immerse ourselves in its peaceful atmosphere, evoking feelings of nostalgia and serenity. The inclusion of words such as "cueillir" (collecting) and "fonts baptismaux" (baptismal fonts) further emphasizes the cultural significance embedded within this artwork. As we admire this extraordinary piece through our photo print, we are reminded that art has no boundaries or limitations; it transcends time and space, allowing us to appreciate its beauty for generations to come.
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