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Postcard : Portrait of Edwin Allies, 1820 (oil on canvas)
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Portrait of Edwin Allies, 1820 (oil on canvas)
2830900 Portrait of Edwin Allies, 1820 (oil on canvas) by Loder, James (fl. 1820-60); Bristol Museum and Art Gallery, UK; (add.info.: Edwin Allies (1788-1836)); eBristol Museums, Galleries & Archives; Given by Alick S. Newsom, 1978.; British, out of copyright
Media ID 23474014
© Bristol Museums, Galleries & Archives Given by Alick S. Newsom, 1978. / Bridgeman Images
Breeches Mounted Riding Crop Tailcoat Tails Top Hat Whip Regency
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating portrait of Edwin Allies, painted by James Loder in 1820, showcases the elegance and regality of a man immersed in the rural countryside. The oil on canvas print captures Allies' dignified presence as he sits atop his majestic horse, exuding confidence and grace. Dressed impeccably in breeches, tails, and a top hat, Allies epitomizes the fashion of the Regency era. His riding crop rests gently against his leg while his whip dangles from his hand with an air of authority. The vibrant red and white hues add vibrancy to the scene, contrasting beautifully against the serene backdrop of nature. Loder's attention to detail is evident in every stroke; from Allies' composed expression to each strand of hair on his horse's mane. The painting not only celebrates equestrianism but also pays homage to the bond between man and animal. This exquisite piece was generously given to Bristol Museum and Art Gallery by Alick S. Newsom in 1978. It now stands as a testament to both artistic skill and historical significance within their collection. As we gaze upon this remarkable artwork from Bridgeman Images' Fine Art Finder collection, we are transported back in time - witnessing a moment frozen forever where beauty meets tradition amidst rolling hills and endless possibilities.
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