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Postcard : A Flagellant (pen & ink and w / c on paper)
Resolution may be poor at this size (90 DPI)
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A Flagellant (pen & ink and w / c on paper)
XOT320588 A Flagellant (pen & ink and w/c on paper) by Grevenbroeck, Jan van (1731-1807); Museo Correr, Venice, Italy; (add.info.: I battuti; ); Dutch, out of copyright
Media ID 12849809
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Back Bleeding Blood Bloody Hood Mortification Pain Religious Fervour Robe Self Flagellation Suffering Whip Whipping Zealot Traditional Costume
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 10.6cm x 15cm (4.2" x 5.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the intense and haunting image of "A Flagellant" by Jan van Grevenbroeck. Created with pen and ink, as well as watercolor on paper, this artwork showcases a deeply religious practice known as flagellation or self-flagellation. The central figure in traditional dress stands with his back exposed, bearing the marks of countless whippings. The artist's attention to detail is extraordinary, depicting the bloodied wounds that cover his body. The pain and suffering etched onto his face are palpable, conveying the zealot's unwavering commitment to their faith. Draped in a hooded robe, the flagellant embodies religious fervor and mortification. This ancient ritual serves as an act of penance or purification for believers seeking spiritual growth through physical sacrifice. Displayed at Museo Correr in Venice, Italy, this artwork transports viewers into a world where devotion knows no bounds. It prompts contemplation about the lengths individuals will go to express their faith and find solace within their beliefs. Jan van Grevenbroeck masterfully captures both the physical agony endured by these devotees and their unyielding dedication to their religion. Through this evocative piece of artistry, we are reminded of humanity's capacity for profound conviction and sacrifice in pursuit of something greater than ourselves.
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