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Postcard : Trompe l oeil. A Cabinet in the Artists Studio, 1670-1671 (oil on canvas)

Trompe l oeil. A Cabinet in the Artists Studio, 1670-1671 (oil on canvas)



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Trompe l oeil. A Cabinet in the Artists Studio, 1670-1671 (oil on canvas)

XOS1273871 Trompe l oeil. A Cabinet in the Artists Studio, 1670-1671 (oil on canvas) by Gysbrechts, Cornelis Norbertus (fl.1659-72); 132x199 cm; Statens Museum for Kunst, Copenhagen, Denmark; Flemish, out of copyright

Media ID 12719688

© www.bridgemanimages.com

Flower Painting Optical Illusion Paintbrushes Palette Trick Gijsbrechts


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Cornelis Norbertus Gysbrechts

> Fine Art Finder > Still Lives Of Objects, Fruit, Veg


EDITORS COMMENTS
This print showcases "Trompe l'oeil. A Cabinet in the Artists Studio" a mesmerizing oil on canvas painting created by Cornelis Norbertus Gysbrechts in 1670-1671. The artwork, measuring 132x199 cm, is housed at the Statens Museum for Kunst in Copenhagen, Denmark. Gysbrechts, a Flemish artist from the Baroque period, masterfully employs optical illusion techniques to create an astonishingly realistic depiction of an artist's studio within this piece. Every detail is meticulously crafted to deceive the viewer's eye and blur the boundaries between reality and artifice. The composition features various elements that contribute to its trompe l'oeil effect. From paintbrushes and a palette to a pipe resting on top of books and even a rug seemingly protruding from the canvas itself - each object appears three-dimensional despite being skillfully painted onto a flat surface. Amidst this visual trickery lies an exquisite flower painting displayed on an easel, adding another layer of artistic brilliance within Gysbrechts' creation. This miniature masterpiece further emphasizes his exceptional talent as it seamlessly merges with its surroundings. As we gaze upon this remarkable artwork through our photo print, we are transported back in time to witness firsthand how Gysbrechts ingeniously manipulated our perception through his brushstrokes. It serves as both a testament to his technical prowess and an invitation for us to question what we see before us – reminding us that sometimes

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