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Postcard : The Church of San Francisco, Valparaiso, 1834 (pencil & w / c on paper) (b / w photo)

The Church of San Francisco, Valparaiso, 1834 (pencil & w  /  c on paper) (b  /  w photo)



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£12.48

Resolution may be poor at this size (95 DPI)

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The Church of San Francisco, Valparaiso, 1834 (pencil & w / c on paper) (b / w photo)

XJF265855 The Church of San Francisco, Valparaiso, 1834 (pencil & w/c on paper) (b/w photo) by Martens, Conrad (1801-78); Private Collection; (add.info.: Eglise de San Francisco; Conrad Martens arrived in Valparaiso on the Beagle on 31 July 1834; ); Australian, out of copyright

Media ID 12785257

© www.bridgemanart.com

Chile Chilean


Postcards (8 pack of A6)

Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.

Photo postcards are a great way to stay in touch with family and friends.

Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This photograph showcases "The Church of San Francisco, Valparaiso" in 1834. The image captures the essence of this historical landmark with its pencil and watercolor rendering on paper. Created by Conrad Martens, an Australian artist who arrived in Valparaiso aboard the Beagle on July 31st, 1834, this artwork is now part of a private collection. The Church of San Francisco stands tall amidst the bustling cityscape of Valparaiso, nestled between majestic mountains and overlooking the vibrant port below. Its architectural beauty is accentuated by intricate details that Martens skillfully captured in his sketch-like style. As we gaze upon this print, we are transported back to a time when South America was still being explored and discovered. The church's presence serves as a testament to both religious devotion and cultural heritage within Chilean society. Martens' choice to depict this scene in black and white adds a timeless quality to the image, allowing us to appreciate every stroke of his pencil with greater clarity. It reminds us that art has no expiration date; it continues to inspire generations long after its creation. This photograph from Fine Art Finder invites us into a world where history meets artistic expression—a fusion that brings forth admiration for both the artist's talent and the subject's significance.

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