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Postcard : The Death of the Firstborn, 19th century (engraving on paper)
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The Death of the Firstborn, 19th century (engraving on paper)
BAL122765 The Death of the Firstborn, 19th century (engraving on paper) by Werner, Carl Friedrich Heinrich (1808-94); Private Collection; German, out of copyright
Media ID 12716592
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Exodus Illness Mort Moses Plaie Sick Dying
Postcards (8 pack of A6)
Set of 8, A6 Postcards, featuring the same image on all cards in a set. Printed on 350gsm premium white satin card, the back of the postcard includes space to write messages and an area for the address and stamp. Size of each postcard is 15cm x 10.6cm.
Photo postcards are a great way to stay in touch with family and friends.
Estimated Product Size is 15cm x 10.6cm (5.9" x 4.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this haunting 19th-century engraving, Carl Friedrich Heinrich Werner captures the chilling scene of "The Death of the Firstborn". The image depicts a pivotal moment from the biblical story of Moses and the Exodus, specifically the seventh plague that struck Egypt. With meticulous detail, Werner portrays an interior setting filled with anguish and despair. The composition centers around a grieving mother cradling her lifeless firstborn child in her arms. The artist masterfully conveys her overwhelming sorrow through delicate lines and shading. Surrounding them are other afflicted families, their faces etched with pain as they witness the devastating consequences of Pharaoh's defiance. Werner's skillful use of light and shadow adds to the somber atmosphere within this print. Dimly lit candles cast eerie shadows on walls adorned with symbols of Egyptian opulence – a stark contrast to the suffering unfolding before our eyes. "The Death of the Firstborn" serves as a poignant reminder of mortality and divine justice. It prompts contemplation on themes such as sickness, illness, and ultimately death itself. Through his artistry, Werner invites viewers to reflect upon humanity's vulnerability in times of crisis while also highlighting faith's role in navigating these trials. This powerful engraving is part of a private collection but remains accessible for public appreciation thanks to its out-of-copyright status. Its historical significance continues to resonate today as it offers both artistic beauty and profound storytelling rooted in ancient biblical narratives.
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