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William Hogarth Collection (page 27)

William Hogarth was an English painter, engraver and satirist who lived from 1697 to 1764

1,584 items

Background imageWilliam Hogarth Collection: Morning, 1738. Artist: J Mollison

Morning, 1738. Artist: J Mollison
Morning, 1738. Scene from Hogarths Times of the day. Covent Garden, London, early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket

Background imageWilliam Hogarth Collection: Noon, 1738. Artist: WH Worthington

Noon, 1738. Artist: WH Worthington
Noon, 1738. Scene from Hogarths Times of the day. A view of Hog Lane, Westminster, with the Church of St Giles in the Fields visible in background

Background imageWilliam Hogarth Collection: Evening, 1738. Artist: Spooner

Evening, 1738. Artist: Spooner
Evening, 1738. Scene from Hogarths Times of the day. A scene at Sadlers Wells and Sir Hugh Middleton Tavern. A lady with fan escorted by a man carrying a small girl

Background imageWilliam Hogarth Collection: The sleeping congregation, 1736. Artist: William Hogarth

The sleeping congregation, 1736. Artist: William Hogarth
The sleeping congregation, 1736. The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young girl

Background imageWilliam Hogarth Collection: Change Alley, London, 1853. Artist: John Carter

Change Alley, London, 1853. Artist: John Carter
Change Alley, London, 1853. Street scene depicting events surrounding the South Sea Bubble (1711-1720). The scene is taking place in front of Garraways Coffee House, with a pawn shop at left

Background imageWilliam Hogarth Collection: Variety of expressions, 1743. Artist: William Hogarth

Variety of expressions, 1743. Artist: William Hogarth
Variety of expressions, 1743. Over 100 faces, illustrating the infinite variety of expression. Final state of plate

Background imageWilliam Hogarth Collection: The Bench, 1758. Artist: William Hogarth

The Bench, 1758. Artist: William Hogarth
The Bench, 1758; showing judges sitting in the Court of the Kings Bench, with Sir John Willes, Lord Chief Justice, in centre, and Henry Bathurst on his left, asleep

Background imageWilliam Hogarth Collection: Columbus breaking the egg, 1753. Artist: William Hogarth

Columbus breaking the egg, 1753. Artist: William Hogarth
Columbus breaking the egg, 1753. Christopher Columbus demonstrates how an egg can be made to stand upright on a table. Prepared by Hogarth as a subscription ticket for his essay The analysis of

Background imageWilliam Hogarth Collection: Scholars at a lecture, 1736. Artist: William Hogarth

Scholars at a lecture, 1736. Artist: William Hogarth
Scholars at a lecture, 1736. A group of Oxford scholars listen to William Fisher, Registrar of the University. Second and final state of the plate

Background imageWilliam Hogarth Collection: The laughing audience, 1733. Artist: William Hogarth

The laughing audience, 1733. Artist: William Hogarth
The laughing audience, 1733; showing the inside of a theatre and the reactions of different parts of the audience to the play

Background imageWilliam Hogarth Collection: The Company of Undertakers, 1736. Artist: William Hogarth

The Company of Undertakers, 1736. Artist: William Hogarth
The Company of Undertakers, 1736. The heads of some familiar quacks pictured within a coat of arms. The quacks depicted include: Mrs Sarah Mapp; John Taylor; and Dr Joshua Ward

Background imageWilliam Hogarth Collection: A chorus of singers, 1732. Artist: William Hogarth

A chorus of singers, 1732. Artist: William Hogarth
A chorus of singers, 1732. A conductor (who has lost his periwig) conducts from a paper entitled Judith: an oratorio.... A choir sings lustily

Background imageWilliam Hogarth Collection: The industrious prentice Lord-Mayor of London, plate XII of Industry and Idleness, 1747

The industrious prentice Lord-Mayor of London, plate XII of Industry and Idleness, 1747; the industrious apprentice is drawn along Cheapside in his coach watched by Frederick

Background imageWilliam Hogarth Collection: The industrious prentice grown rich... plate VIII of Industry and Idleness, 1747

The industrious prentice grown rich... plate VIII of Industry and Idleness, 1747
The industrious prentice grown rich and sheriff of London, plate VIII of Industry and Idleness, 1747; the scene is old Fishmongers Hall

Background imageWilliam Hogarth Collection: Strolling actresses dressing in a barn, 1738. Artist: William Hogarth

Strolling actresses dressing in a barn, 1738. Artist: William Hogarth
Strolling actresses dressing in a barn, 1738. A provincial company is in a barn, surrounded by costumes and props, preparing for its last performance.The Act against strolling players

Background imageWilliam Hogarth Collection: An election entertainment, plate I of The Election, 1755. Artist: William Hogarth

An election entertainment, plate I of The Election, 1755. Artist: William Hogarth
An election entertainment, plate I of The Election, 1755; showing an election treat given by the Whigs while the Tories parade outside

Background imageWilliam Hogarth Collection: The March to Finchley, 1745. Artist: Luke Sullivan

The March to Finchley, 1745. Artist: Luke Sullivan
The March to Finchley, or A representation of the march of the guards towards Scotland in the year 1745 ; showing the Tottenham Court turnpike at the intersection with Euston Road

Background imageWilliam Hogarth Collection: Southwark Fair, 1733. Artist: William Hogarth

Southwark Fair, 1733. Artist: William Hogarth
Southwark Fair, 1733. A crowd is enjoying the festivities in Borough High Street, near St George the Martyr, Southwark, London

Background imageWilliam Hogarth Collection: The Enraged Musician, 1741. Artist: William Hogarth

The Enraged Musician, 1741. Artist: William Hogarth
The Enraged Musician, 1741; showing a musician unable to concentrate by the din outside in the street, which emanates from an oboe player, a dustman, knife-grinder, paviour, milkmaid

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate II of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate II of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate II of VIII. Tom Rakewell is at his morning levee, attended by hangers on of various professions

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735, plate III of VIII. Artist: William Hogarth

A Rakes Progress, 1735, plate III of VIII. Artist: William Hogarth
A Rakes Progress, 1735, plate III of VIII. Tom Rakewell is in the Rose Tavern, on Drury Lane, London, being relieved of his pocket watch by two women

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate I of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate I of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate I of VIII. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Background imageWilliam Hogarth Collection: The Bruiser, C. Churchill... in the character of a Russian Hercules... 1763

The Bruiser, C. Churchill... in the character of a Russian Hercules... 1763. The poet Charles Churchill is depicted as a bear in a clerical collar

Background imageWilliam Hogarth Collection: Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet

Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet
Marriage a la Mode, 1745; plate IV. The wife is in her boudoir talking with counsellor Silvertongue. She is now a countess and a mother but she is neglecting her child

Background imageWilliam Hogarth Collection: Marriage a la Mode, 1745; plate III. Artist: Bernard Baron

Marriage a la Mode, 1745; plate III. Artist: Bernard Baron
Marriage a la Mode, 1745; plate III. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved ineffective in

Background imageWilliam Hogarth Collection: Marriage a la Mode, 1745; plate II. Artist: Bernard Baron

Marriage a la Mode, 1745; plate II. Artist: Bernard Baron
Marriage a la Mode, 1745; plate II. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust

Background imageWilliam Hogarth Collection: Marriage a la mode, 1745; plate I. Artist: Gerard Jean-Baptiste Scotin

Marriage a la mode, 1745; plate I. Artist: Gerard Jean-Baptiste Scotin
Marriage a la mode, 1745; plate I.The impoverished Lord Squanderfield has arranged a marriage between his son and the daughter of a wealthy alderman and merchant

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate VI of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate VI of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VI of VIII. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate IV of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate IV of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate IV of VIII. Tom Rakewell, heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

Background imageWilliam Hogarth Collection: A Rakes Progress, 1735; plate V of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate V of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate V of VIII. Tom Rakewell marries an old but rich woman, in order to retrieve his fortune. Meanwhile, in the background

Background imageWilliam Hogarth Collection: The industrious prentice... married... plate VI of Industry and Idleness, 1747

The industrious prentice... married... plate VI of Industry and Idleness, 1747
The industrious prentice out of his time and married to his masters daughter, plate VI of Industry and Idleness, 1747; the morning after the wedding

Background imageWilliam Hogarth Collection: The idle prentice turn d away and sent to sea, plate V of Industry and Idleness, 1747

The idle prentice turn d away and sent to sea, plate V of Industry and Idleness, 1747; the master is obliged to get rid of the idle prentice

Background imageWilliam Hogarth Collection: The industrious apprentice a favourite... plate IV of Industry and Idleness, 1747

The industrious apprentice a favourite... plate IV of Industry and Idleness, 1747
The industrious apprentice a favourite, and entrusted by his master, plate IV of Industry and Idleness, 1747; the industrious apprentice stands with his master in the counting house

Background imageWilliam Hogarth Collection: The idle prentice at play in the church yard... plate III of Industry and Idleness 1747

The idle prentice at play in the church yard... plate III of Industry and Idleness 1747
The idle prentice at play in the church yard during divine service, plate III of Industry and Idleness, 1747; The idle apprentice plays hustle-cap with some pickpockets

Background imageWilliam Hogarth Collection: The fellow prentices at their looms, plate I of Industry and Idleness, 1747

The fellow prentices at their looms, plate I of Industry and Idleness, 1747; the scene is a Spitalfields silk-weaving shop, London

Background imageWilliam Hogarth Collection: Chairing the Members, 1758. Artist: F Aviline

Chairing the Members, 1758. Artist: F Aviline
Chairing the Members, 1758; the victorious members are being borne by their constituents on chairs through the streets. The scene is chaotic

Background imageWilliam Hogarth Collection: The Polling, 1758. Artist: Peter La Cave

The Polling, 1758. Artist: Peter La Cave
The Polling, 1758; a polling booth on election day with reserve voters being brought up; one, an old soldier who has lost both arms and a leg; the other an imbecile. Third and final state of the plate

Background imageWilliam Hogarth Collection: Canvassing for votes, 1757. Artist: Charles Grignion

Canvassing for votes, 1757. Artist: Charles Grignion
Canvassing for votes, 1757; scene with two country innkeepers, agents for their respective parties, are here dropping money into the hands of a rustic freeholder

Background imageWilliam Hogarth Collection: The Bathos, 1764. Artist: William Hogarth

The Bathos, 1764. Artist: William Hogarth
The Bathos, 1764; showing Time expiring, collapsed against a broken column, with the blade of his scythe snapped and his hour glass smashed, blowing out smoke from his broken pipe

Background imageWilliam Hogarth Collection: The cockpit, London, 1759. Artist: William Hogarth

The cockpit, London, 1759. Artist: William Hogarth
The cockpit, 1759; scene of a cockfight at the Royal Cockpit in Dartmouth Street, off Birdcage Walk, London. In the centre is the blind Lord Albemarle Bertie, a wealthy gambler who is being robbed

Background imageWilliam Hogarth Collection: Credulity, Superstition and Fanaticism. A medley, 1762. Artist: William Hogarth

Credulity, Superstition and Fanaticism. A medley, 1762. Artist: William Hogarth
Credulity, Superstition and Fanaticism. A medley, 1762; Methodist meeting at Whitefields Tabernacle on Tottenham Court Road, London

Background imageWilliam Hogarth Collection: France, 1756. Artist: William Hogarth

France, 1756. Artist: William Hogarth
France, 1756; a scene outside the Duke of Cumberland inn, in England. To the left a grenadier is painting a caricature of the King of France to the amusement of his companions

Background imageWilliam Hogarth Collection: The Distressed Poet, 1740. Artist: William Hogarth

The Distressed Poet, 1740. Artist: William Hogarth
The Distressed Poet, 1740; a poor poet, at work in his garret, is interrupted by a milkmaid demanding payment. Third and final state of plate. One of a set of six plates

Background imageWilliam Hogarth Collection: A Midnight Modern Conversation, 1733. Artist: William Hogarth

A Midnight Modern Conversation, 1733. Artist: William Hogarth
A Midnight Modern Conversation, 1733; a group of men, all in different stages of drunkenness, sit around a table in the St Johns Coffee House, Great Shire Lane, Temple Bar, London

Background imageWilliam Hogarth Collection: After, 1762. Artist: William Hogarth

After, 1762. Artist: William Hogarth
After, 1762; after sex a man (probably Sir John Willes) puts his trousers back on while the woman tries to persuade him to stay. A dog lies sleeping in the foreground

Background imageWilliam Hogarth Collection: Before, 1736. Artist: William Hogarth

Before, 1736. Artist: William Hogarth
Before, 1736; a man (probably Sir John Willes) draws a reluctant and distressed woman toward the bed he is sitting on. A dog barks excitedly. Second of three states of the plate

Background imageWilliam Hogarth Collection: Evening, plate III from Times of Day, 1738. Artist: Bernard Baron

Evening, plate III from Times of Day, 1738. Artist: Bernard Baron
Evening, plate III from Times of Day, 1738. Scene at Sadlers Wells, Finsbury, London, with Sir Hugh Middleton Tavern in the background. A lady with fan escorted by a man carrying a small girl



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William Hogarth Collection

William Hogarth was an English painter, engraver and satirist who lived from 1697 to 1764. He is best known for his series of paintings and engravings that depict the moral decay of society in the 18th century. His works often featured popular themes such as drunkenness, prostitution, gambling and corruption in politics. Hogarth's art was highly influential in shaping public opinion on these issues during a time when Britain was undergoing significant social change. His use of satire and caricature helped to expose the hypocrisy and immorality of those in power while also entertaining audiences with his witty commentary on everyday life.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The William Hogarth collection from Media Storehouse is a stunning array of wall art and framed prints that showcase the works of one of Britain's most celebrated artists. Our collection features some of Hogarth's most popular themes, including his satirical depictions of 18th-century society, such as "A Rake's Progress" and "Marriage A-la-Mode." These prints are available in various sizes to suit any decor style, making them perfect for both homes and offices. Hogarth was known for his ability to capture the essence of everyday life through his intricate illustrations. His work often featured social commentary on issues like politics, morality, and class structure. The William Hogarth collection allows viewers to appreciate these timeless pieces in their own space. Whether you're an art enthusiast or simply looking for a unique way to decorate your walls, our collection offers something for everyone. With its high-quality printing and framing options, it's easy to see why Media Storehouse has become a go-to destination for those seeking beautiful artwork at affordable prices.
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What are William Hogarth (Popular Themes) art prints?

William Hogarth was an English painter and engraver who lived during the 18th century. His art prints are known for their satirical commentary on contemporary society, particularly in London. Some of his popular themes include the vices and virtues of humanity, social class, politics, and morality. Hogarth's most famous series of prints is "A Harlot's Progress," which depicts the tragic story of a young woman who falls into prostitution. Another notable series is "Marriage à-la-mode," which portrays the disastrous consequences of arranged marriages among wealthy families. In addition to these narrative works, Hogarth also created individual prints that tackled various issues such as crime, alcoholism, and corruption in government. His style was characterized by its realism and attention to detail. Today, William Hogarth's art prints remain popular among collectors and those interested in British history and culture. We offer a unique glimpse into life during the Georgian era while still resonating with modern audiences through their timeless themes.
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What William Hogarth (Popular Themes) art prints can I buy from Media Storehouse?

We offer a wide range of William Hogarth art prints that depict popular themes from the 18th century. Some of the most sought-after prints include "Gin Lane" and "Beer Street," which are part of his famous series entitled "The Harlot's Progress." These prints portray the negative effects of alcoholism on society, particularly among women. Other popular Hogarth prints available at Media Storehouse include "Marriage A-la-Mode," a satirical commentary on arranged marriages between wealthy families; "The Rake's Progress," which depicts the moral decline and eventual downfall of a young man who squanders his inheritance; and "Four Times of Day," a series that portrays different scenes in London during various times of day. Whether you're looking for social commentary, satire, or simply beautiful depictions of life in 18th-century England, we have an extensive collection of William Hogarth art prints to choose from.
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How do I buy William Hogarth (Popular Themes) art prints?

To buy William Hogarth art prints from Media Storehouse, you can browse our extensive collection of prints featuring the artist's popular themes. Once you have found a print that catches your eye, simply select the size and format you prefer and add it to your cart. We offer a range of sizes and formats for their prints, including posters, canvas wraps, framed prints, and more. You can choose the option that best suits your needs and budget. Once you have added all the items you wish to purchase to your cart, proceed to checkout where you will be prompted to enter your shipping information and payment details. After completing these steps, your order will be processed by Media Storehouse. Buying William Hogarth art prints from Media Storehouse is an easy process that allows you to enjoy high-quality reproductions of this renowned artist's work in your own home or office.
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How much do William Hogarth (Popular Themes) art prints cost?

William Hogarth art prints are available for purchase at Media Storehouse. The cost of these prints varies depending on the size, framing options, and other customization choices that you may make. However, it is important to note that We offer a wide range of affordable options for those interested in purchasing William Hogarth's popular theme art prints. The price of each print will depend on your specific requirements and preferences. You can choose from various sizes ranging from small to large, as well as different framing options such as black or white frames. Additionally, you can select whether you want your print to be mounted or unmounted. The cost of William Hogarth art prints at Media Storehouse is reasonable and accessible for anyone who wants to own a piece of this renowned artist's work.
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How will my William Hogarth (Popular Themes) art prints be delivered to me?

Your William Hogarth art prints will be delivered to you in a safe and secure manner by Media Storehouse. The company takes great care in packaging your prints so that they arrive at your doorstep undamaged. Your prints will be carefully rolled and placed inside a sturdy cardboard tube, which is then sealed with tape to prevent any moisture or dirt from entering the package. Media Storehouse uses reliable courier services for delivery, ensuring that your order reaches you on time and in excellent condition. You can track the progress of your shipment online using the tracking number provided by the company. Once you receive your William Hogarth art prints, it is recommended that you unroll them immediately and lay them flat to allow any creases or wrinkles to disappear naturally over time. With proper handling and care, these beautiful artworks will add character and charm to any room in your home or office for years to come.