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Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet
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Marriage a la Mode, 1745; plate IV. Artist: Simon Francois Ravenet
Marriage a la Mode, 1745; plate IV. The wife is in her boudoir talking with counsellor Silvertongue. She is now a countess and a mother but she is neglecting her child. A barber dresses her hair and a singer entertains. Symbols of extravagance are strewn all around
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Media ID 15166940
© London Metropolitan Archives (City of London) / Heritage-Images
Barber Childhood Entertainer Extravagance Hairdresser Hogarth Neglect Ravenet Simon Francois Simon Francois Ravenet Simon Francois ravenet Toys Vanity W Hogarth William Hogarth Hairdressing Interior Decoration Interior Design Silvertongue
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EDITORS COMMENTS
This print captures a scene from "Marriage a la Mode, 1745; plate IV" by Simon Francois Ravenet. The image depicts the wife in her luxurious boudoir, engrossed in conversation with counsellor Silvertongue. Despite being a countess and mother, she appears to be neglecting her child who is left unattended. Surrounding them are symbols of extravagance scattered about - an evident display of opulence. In this thought-provoking engraving from the 18th century, William Hogarth skillfully portrays the concept of vanity and excess within society. A barber diligently styles the wife's hair while a singer entertains her. These professions represent occupations that cater to one's appearance and pleasure. The monochrome setting adds depth to the composition, emphasizing the interior decoration of the room where this family drama unfolds. The artist masterfully uses satire to critique societal norms during this era. Displayed at Guildhall Library and Art Gallery, this artwork invites viewers to reflect on themes such as marriage, motherhood, childhood neglect, and entertainment in eighteenth-century England.
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