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Photographic Print : 1838 Megalosaurus and Iguanodon by Martin

1838 Megalosaurus and Iguanodon by Martin



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1838 Megalosaurus and Iguanodon by Martin

" The Country of the Iguanodon" by apocalyptic artist John Martin, commissioned by Gideon Mantell as the frontis for his popular book " The Wonders of Geology" (1838). Martin was visiting Mantells Museum and was inspired by Mantells discoveries - particularly by the " Mantell Piece" a slab of rock from Maidstone containing articulated bones of Iguanodon. This mezzotint (apparently from a painting by Martin presented to Mantell) was one of the first attempts at geological restoration of a pre-historic land environment, and shows an iguanodon being attacked by Megalosaurus. A crocodile is drawn to the fray, with the whole being watched by a pterodactyle. In the middle distance an Iguanodon and Hylaeosaurus prepare for another confrontation. The vegetation is as discovered by Mantell in the Tilgate forest beds. Mantell notes the reconstructions accuracy - but basically Martin drew dragons

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6346659

© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com

Iguanodon Jurassic Mezzotint Pterodactyle Restoration Richard Owen Hylaeosaurus John Martin Oolite


12"x8" (30x20cm) Photo Print

Bring the fascinating world of prehistoric creatures into your home with our exquisite range of Photographic Prints from Media Storehouse. This captivating print features "1838 Megalosaurus and Iguanodon" by Paul D. Stewart from Science Photo Library. A stunning recreation of an iconic illustration, originally created by the renowned apocalyptic artist John Martin for the frontispiece of Gideon Mantell's popular book "The Wonders of Geology" (1838). Transport yourself back in time and marvel at the intricacies of these ancient beings. Each print is produced using the highest quality materials, ensuring vibrant colors and sharp details that truly bring the image to life. Add this mesmerizing print to your collection and ignite your imagination.

Printed on archival quality paper for unrivalled stable artwork permanence and brilliant colour reproduction with accurate colour rendition and smooth tones. Printed on professional 234gsm Fujifilm Crystal Archive DP II paper. 12x8 for landscape images, 8x12 for portrait images.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 30.4cm x 18.5cm (12" x 7.3")

Estimated Product Size is 30.5cm x 20.3cm (12" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print showcases the iconic artwork "1838 Megalosaurus and Iguanodon" by John Martin, known as "The Country of the Iguanodon". Commissioned by Gideon Mantell for his renowned book "The Wonders of Geology" this mezzotint is a remarkable early attempt at reconstructing a prehistoric land environment. Inspired by Mantell's groundbreaking discoveries, particularly the famous "Mantell Piece" containing articulated bones of an Iguanodon found in Maidstone, Martin skillfully brings to life a dramatic scene. The illustration depicts an intense battle between an iguanodon and a menacing Megalosaurus while being observed by a watchful pterodactyl. Adding to the chaos, a crocodile lurks nearby. Intriguingly, another confrontation unfolds in the middle distance as an Iguanodon and Hylaeosaurus prepare for their own clash. The vegetation surrounding them faithfully reflects Mantell's findings in Tilgate forest beds. While Mantell praised the accuracy of this restoration, it is worth noting that Martin took some artistic liberties with his depiction—essentially drawing dragons rather than scientifically accurate representations. Nonetheless, this masterpiece remains significant for its contribution to early geological illustrations and its ability to transport viewers into a world long lost to time. Paul D. Stewart's photograph beautifully captures every intricate detail of this historic artwork from Science Photo Library—a testament to both artistry and scientific curiosity that continues to captivate audiences today.

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