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Photographic Print : St Constantine chapel remains, St Merryn, Cornwall. 1906

St Constantine chapel remains, St Merryn, Cornwall. 1906




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Royal Cornwall Museum

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St Constantine chapel remains, St Merryn, Cornwall. 1906

A view of the ruins of the shale and slate stone medieval St Constantine chapel with two men standing to the side. The chapel is Grade II listed, and was excavated from a large grass covered sand dune which still surrounds it. It is orientated east-west and consisted of a tower at the west end, nave, chancel and south aisle. The men are possibly the photographers R. Arthur Thomas and John Charles Burrow. Photographer: Herbert Hughes

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : EMERn.3

Media ID 19292982

© From the collection of the RIC

Archaeology Architecture Building Church Ecclesiastical Excavations Prayer Religion Religious Ruin Slate Stone Tower West Worship Constantines


10"x8" (25x20cm) Photo Print

Experience the rich history of Cornwall with our stunning photographic print from the Media Storehouse collection. This captivating image showcases the haunting beauty of St Constantine chapel remains in St Merryn, Cornwall, as it stood in 1906. With two men adding a sense of scale to the ruins, this Grade II listed medieval chapel, made of shale and slate stones, transports you back in time. Bring this piece of Cornwall's heritage into your home and add a unique, timeless touch to any decor.

Printed on archival quality paper for unrivalled stable artwork permanence and brilliant colour reproduction with accurate colour rendition and smooth tones. Printed on professional 234gsm Fujifilm Crystal Archive DP II paper. 10x8 for landscape images, 8x10 for portrait images.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Related Images

> Architecture > Religious

> Architecture > Towers > Churches

> Architecture > Towers > Related Images

> Arts > Artists > C > Arthur Herbert Church

> Arts > Artists > E > Thomas Ender

> Arts > Artists > H > Arthur Hughes

> Europe > United Kingdom > England > Cornwall > Constantine

> Europe > United Kingdom > England > Cornwall > Grade

> Royal Cornwall Museum > Places > St Merryn


EDITORS COMMENTS
This print captures the haunting beauty of St Constantine chapel remains in St Merryn, Cornwall, back in 1906. The image showcases the ruins of this medieval chapel, constructed with shale and slate stone, which still stands as a Grade II listed structure today. Situated within a vast grass-covered sand dune that envelops it, the chapel's east-west orientation is evident from this perspective. Intriguingly, two men can be seen standing to the side of the ruins. Believed to be R. Arthur Thomas and John Charles Burrow – possibly the photographers behind this remarkable shot – their presence adds depth to the photograph's narrative. Their purpose here could have been documenting or studying these archaeological excavations. The remnants of St Constantine chapel evoke a sense of awe and wonderment as one contemplates its former glory and significance within Cornish ecclesiastical history. This religious edifice once comprised a tower at its western end, along with a nave, chancel, and south aisle. Herbert Hughes skillfully captured not only an architectural marvel but also conveyed emotions associated with worship and prayer through his lens. The juxtaposition between man-made structures and nature's encroachment creates an ethereal atmosphere surrounding these constantines' ruins. This print serves as both a historical artifact showcasing past architectural prowess and an invitation for contemplation on transience; reminding us that even grand structures succumb to time's relentless march forward.

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