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Photographic Print : Four poster bed and cradle, used by Mary Queen of Scots (1542-87) and her son

Four poster bed and cradle, used by Mary Queen of Scots (1542-87) and her son




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Four poster bed and cradle, used by Mary Queen of Scots (1542-87) and her son

MFI162426 Four poster bed and cradle, used by Mary Queen of Scots (1542-87) and her son, the future James VI of Scotland and I of England (1566-1625) (photo) by Scottish School (pre-20th C); Traquair House, Innerleithen, Borders, Scotland; eMark Fiennes Archive; Scottish, out of copyright

Media ID 22783980

© Mark Fiennes Archive / Bridgeman Images

Baldaquin Four Poster


10"x8" (25x20cm) Photo Print

Step back in time with our exquisite selection of historical photographic prints from Media Storehouse. This captivating image, titled "Four poster bed and cradle, used by Mary Queen of Scots (1542-87) and her son," showcases a rare glimpse into the past. Witness the elegance of Scotland's reigning monarch and her young son, the future James VI of Scotland and I of England, as they rest in the opulent surroundings of a four-poster bed. This stunning photograph, taken by Mark Fiennes from Fine Art Finder, is a testament to the rich history and grandeur of Scotland's royal past. Add this beautiful piece to your home decor and let the story of Mary Queen of Scots and her son be a part of your daily life.

Printed on archival quality paper for unrivalled stable artwork permanence and brilliant colour reproduction with accurate colour rendition and smooth tones. Printed on professional 234gsm Fujifilm Crystal Archive DP II paper. 10x8 for landscape images, 8x10 for portrait images.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > School French

> Fine Art Finder > Artists > School Scottish

> Fine Art Finder > Furniture: British

> Animals > Mammals > Muridae > House Mouse

> Europe > United Kingdom > England > Castles

> Europe > United Kingdom > England > Posters

> Europe > United Kingdom > Scotland > Castles

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Europe > United Kingdom > Scotland > Scottish Borders > Innerleithen

> Europe > United Kingdom > Scotland > Scottish Borders > Related Images

> Historic > Medieval architecture > Castles and fortresses > Castle interiors


EDITORS COMMENTS
This print showcases a piece of history and royalty, featuring the iconic four poster bed and cradle used by Mary Queen of Scots (1542-87) and her son, the future James VI of Scotland and I of England (1566-1625). The Scottish School's exquisite craftsmanship is evident in this pre-20th-century masterpiece captured at Traquair House in Innerleithen, Borders, Scotland. Steeped in regal elegance, this room within the castle holds stories that transport us back to a time when Mary visited in 1566. The bed's grandeur is enhanced by its beautifully lit baldaquin canopy, exuding an air of majesty fit for a queen. Meanwhile, the delicate cradle beside it serves as a poignant reminder of motherhood and lineage. As we gaze upon this image from the eMark Fiennes Archive, we cannot help but be drawn into the world it represents – one filled with castles as dwellings and bedrooms adorned with opulent furnishings. It offers us a glimpse into how those in power once sought comfort and solace within their own private sanctuaries. Let this photograph transport you to an era long gone but forever preserved through artistry. Appreciate not only its aesthetic beauty but also its historical significance as it captures an intimate part of Mary Queen of Scots' life journey alongside her beloved son.

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