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Photographic Print : Baalbec from the Fountain, May 7th 1839, title page of Volume II of The Holy Land
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Baalbec from the Fountain, May 7th 1839, title page of Volume II of The Holy Land
XCF87211 Baalbec from the Fountain, May 7th 1839, title page of Volume II of The Holy Land, engraved by Louis Haghe (1806-85) pub. 1843 (litho) by Roberts, David (1796-1864) (after); 51.6x35.7 cm; Private Collection; English, out of copyright
Media ID 12941532
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Baalbek Orientalist Peacock Pool Plate 45
12"x8" (30x20cm) Photo Print
Experience the rich history and beauty of the Holy Land through the exquisite photography of Media Storehouse. Our range of Photographic Prints features this stunning image, "Baalbec from the Fountain, May 7th 1839," taken from the title page of Volume II of The Holy Land. This captivating engraving, created by Louis Haghe in 1839, showcases the ancient ruins of Baalbec in exquisite detail. Add this masterpiece to your collection and bring a piece of history into your home or office.
Printed on archival quality paper for unrivalled stable artwork permanence and brilliant colour reproduction with accurate colour rendition and smooth tones. Printed on professional 234gsm Fujifilm Crystal Archive DP II paper. 12x8 for landscape images, 8x12 for portrait images.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 30.5cm (8" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The captivating print titled "Baalbec from the Fountain, May 7th 1839" takes us on a journey back in time to the ancient ruins of Baalbek. This mesmerizing image serves as the title page of Volume II of The Holy Land, engraved by Louis Haghe and published in 1843. Renowned artist David Roberts skillfully captures the essence of this orientalist landscape with his lithographic masterpiece. The vastness of Baalbek's architectural marvels is beautifully showcased against a backdrop of serene beauty. Majestic columns rise towards the heavens, standing as silent witnesses to centuries gone by. Intriguingly, a peacock gracefully struts near a tranquil pool, adding an element of life amidst these ancient remnants. Its vibrant feathers echo the rich history and cultural significance that once thrived within these hallowed grounds. This extraordinary composition not only transports us to another era but also invites contemplation about humanity's enduring fascination with ruins and our connection to past civilizations. It reminds us that even in decay lies beauty and stories waiting to be discovered. As we gaze upon this remarkable artwork, we are reminded that it is through such visual treasures that we can explore distant lands and immerse ourselves in their mysteries. This particular print holds its own place among private collections, serving as a testament to its timeless allure.
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