Photo Mug : Formula One World Championship: Enrique Bernoldi did not run today due to the dispute between Arrows and Cosworth
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Formula One World Championship: Enrique Bernoldi did not run today due to the dispute between Arrows and Cosworth
Enrique Bernoldi (BRA) did not run today due to the dispute between Arrows and Cosworth.
British Grand Prix, Silverstone, England, 5 July 2002.
DIGITAL IMAGE
Motorsport Images is a photographic agency and archive covering motorsport and motoring
Media ID 2266027
© Sutton Motorsport Images
Photo Mug
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 9.5cm high x 8cm diameter (3.7" x 3.1")
These are individually made so all sizes are approximate
EDITORS COMMENTS
In this print from the Formula One World Championship, we witness a moment of frustration and controversy. The image captures Brazilian driver Enrique Bernoldi standing by his car, unable to participate in the race due to an ongoing dispute between Arrows and Cosworth. It is evident that disappointment lingers on his face as he watches his competitors prepare for the British Grand Prix at Silverstone, England on July 5th, 2002. The atmosphere surrounding this snapshot is filled with tension and uncertainty. The vibrant colors of the track juxtapose against Bernoldi's somber expression, highlighting the gravity of the situation. This digital image encapsulates not only a single event but also represents a larger narrative within motorsport history. As spectators gaze upon this photograph print, they are transported back to that fateful day when circumstances beyond Bernoldi's control denied him the opportunity to showcase his skills on one of racing's most prestigious stages. It serves as a reminder that even in highly competitive arenas like Formula One, conflicts can arise which disrupt both drivers' careers and fans' expectations. This powerful visual document stands as testament to the complexities inherent in professional sports while simultaneously capturing an individual's struggle amidst corporate disagreements. Its significance lies not only in its aesthetic appeal but also in its ability to provoke thought about fairness and justice within such high-stakes competitions.
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