Photo Mug : The Pluralist, aided by his patron
Home Decor from Mary Evans Picture Library
The Pluralist, aided by his patron
A satirical comment on the rise of religious pluralism in the mid 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4475470
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10429427
1842 Aided Allegories Allegory Churches Devil Drunken Patron Priest Protestants Satan Satire Satirical Sect Sects Vicar Oecumenism
Photo Mug
"Bring a touch of history and satire to your daily routine with the Media Storehouse Photo Mug featuring "The Pluralist, aided by his patron" by Rights Managed from Mary Evans Prints Online. This beautifully crafted mug showcases this intriguing 19th century satirical image, which depicts the rise of religious pluralism with a witty and insightful commentary. Perfect for tea or coffee breaks, this mug not only keeps your beverages warm but also adds a thought-provoking conversation starter to your desk or kitchen. Embrace the rich history of art and enjoy your favorite drink in style."
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 8cm high x 9.5cm diameter (3.1" x 3.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
September 1842: The Pluralist, aided by his Patron - an Allegory of the Rise of Religious Pluralism in Mid-19th Century England This satirical print, titled "The Pluralist, aided by his Patron," depicts a rotund, drunken priest, dressed in the robes of various Christian denominations, being supported by the devil, who dons the attire of a wealthy patron. The scene unfolds in a chaotic churchyard, where numerous churches representing various Christian sects, including Protestant and Catholic, are in disarray. The Pluralist, a symbol of the growing trend towards religious pluralism and ecumenism in mid-19th century England, is depicted as a man of many faces, unable to maintain a steady stance due to the weight of his conflicting beliefs. His patron, the devil, represents the temptation to compromise and dilute the purity of individual faiths in the pursuit of unity. The print is a scathing commentary on the religious landscape of the time, poking fun at the proliferation of sects and the blurring lines between them. The image of the priest being propped up by the devil underscores the idea that the pursuit of unity and tolerance may come at the expense of the core tenets of each faith. The print also highlights the role of the wealthy patron in the religious sphere, suggesting that their influence and financial power can sway the direction of religious beliefs and practices. Overall, "The Pluralist, aided by his Patron" is a thought-provoking and satirical commentary on the complexities of religious pluralism and the potential pitfalls of compromise in the name of unity.
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