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Photo Mug : Two lovers in a parlour disturbed by prying maids
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Two lovers in a parlour disturbed by prying maids
Two lovers in a parlour disturbed by prying maids moving glasses in a cupboard. Miseries Domestic. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808
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Media ID 23389950
© Florilegius
Ackermann Alcoholism Angry Beresford Bottle Disturbed Etching Felicity Fight Georgian Human Husband Lovers Maids Miseries Parlour Regency Reverend Romance Rowlandson Satire Stag Violence Windowsill Conjugal Prying
Photo Mug
Add a touch of romance and intrigue to your daily routine with our Media Storehouse Photo Mugs. Featuring this exquisite handcoloured copperplate engraving from Mary Evans Picture Library, 'Two Lovers in a Parlour Disturbed by Prying Maids,' these mugs bring the timeless tale of secret love to your table. The vivid colors and intricate details of the engraving are beautifully preserved on the mug, making each sip a delightful journey into the past. Perfect for tea or coffee, these mugs are not only functional but also a work of art, adding a unique charm to your kitchen or office space.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 8cm high x 9.5cm diameter (3.1" x 3.7")
These are individually made so all sizes are approximate
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Two Lovers in a Parlour Disturbed - A Scene of Domestic Unhappiness and Prying Maids
EDITORS COMMENTS
This handcoloured copperplate engraving, designed and etched by Thomas Rowlandson, is a poignant and satirical illustration from Reverend James Beresford's "Miseries of Human Life," published by Ackermann in 1808. The image captures a moment of tension and turmoil in a seemingly ordinary parlour setting. At the heart of the scene, two lovers are embracing on a worn-out sofa, their faces expressing deep emotion and longing. Their moment of conjugal felicity, however, is disrupted by the intrusion of two prying maids. One maid is moving glasses from a cupboard, her back turned to the lovers, while the other peers through the window, her gaze fixed on the couple. The husband, evidently angered by the interruption, stands up and grabs a mop, ready to defend his wife. A bottle of gin, half-empty, sits on the windowsill, a sign of the couple's struggle with alcoholism and the challenges they face in their marriage. The scene is filled with a sense of misery and domestic violence, as the lovers' moment of romance is shattered by the harsh realities of life. The title "Miseries of Human Life" underscores the satirical and critical tone of the illustration, which highlights the complexities and challenges of human relationships. Rowlandson's masterful use of handcolouring and intricate engraving techniques adds depth and texture to the image, making it a visually stunning and thought-provoking work of art. The image is a powerful reminder of the complexities of human emotions and the fragility of love in the face of adversity. This engraving is a rare and valuable glimpse into the social and domestic life of the Regency and Georgian periods, and a testament to Rowlandson's skill as a satirical artist and caricaturist. It remains a captivating and thought-provoking work of art, over two centuries after its creation.
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