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Photo Mug : A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895

A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895



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A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895

JAPANESE CARTOON, c1895.
A Japanese satire depicting a miserable looking Chinese Emperor and Empress seated on a raised platform with percussion musicians seated in front of them. The Emperor appears to have lost his nose and part of his right shoulder with and the Empress is missing part of her scalp. Japanese woodblock by by Kiyochika Kobayashi, c1895

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7959555

1895 Anti Chinese China Chinese Conch Cymbal Drum Emperor Empress Japan Japanese Kiyochika Kobayashi Meiji Musician Percussion Platform Political Satire Wood Block


Photo Mug

Add a touch of historical humor to your morning routine with our Media Storehouse Photo Mug featuring a classic Japanese satire by Kiyochika Kobayashi. This intriguing woodblock print from 1895, titled "Japanese Cartoon," depicts a miserable-looking Chinese Emperor and Empress with musicians playing percussion in front of them. With the Emperor missing part of his nose and right shoulder, and the Empress missing part of her scalp, this satirical image is sure to bring a smile to your face every time you take a sip. Order now and personalize your mug with your favorite photo or design for a truly unique and thought-provoking addition to your collection.

A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Mug Size is 9.5cm high x 8cm diameter (3.7" x 3.1")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This intriguing print captures a Japanese satire from around 1895, created by Kiyochika Kobayashi. The artwork humorously depicts a Chinese Emperor and Empress in a state of misery, seated on an elevated platform. In front of them, percussion musicians are seen playing their instruments. However, what catches the eye is the physical deformities portrayed on the Emperor and Empress. The Emperor has lost his nose and part of his right shoulder, while the Empress is missing part of her scalp. This woodblock print reflects both political commentary and cultural stereotypes prevalent during that era. It serves as a satirical representation of China's imperial power at the time. Through exaggerated features and caricature-like imagery, it conveys an anti-Chinese sentiment often found in Japanese art during this period. The detail in this artwork showcases Kiyochika Kobayashi's skill as a woodblock artist. From the intricate depiction of musical instruments to the expressions on each character's face, every element adds depth to this thought-provoking piece. As we observe this historical artifact today, it offers us insight into Japan's relationship with China during Meiji-era Japan (1868-1912). It reminds us how art can be used as a medium for political expression and social commentary across different cultures throughout history.

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